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  • Jo Cosme October 3rd Fall exhibition opening 010 WEB

Rodney McMillian (b. 1969, Columbia, South Carolina; based in Los Angeles, California) works with the social and political histories of the United States and how they shape our daily lives. Using existing texts and domestic materials—such as house paint on thrifted fabrics and bedsheets, or “post-consumer objects” as he calls them—he traces both the visible and invisible forces that shape civic life, particularly for the lives of African Americans.

Inspired by the lush surroundings of the Henry, McMillian brings together sculpture, video, and painting that present an outdoor landscape overgrown with the lingering effects of physical, political, and social violence.

Across his varied media, McMillian navigates within the tension between abstraction and figuration, presence and absence. In a group of freestanding abstract sculptures, evocative ghostly forms—part taxidermy, part modernist object—suggest both prized trophy and deathly trace. Recent paintings from his ongoing landscape series act as portals: views onto skies, stars, and foliage that float between this world and the next. Together, they offer escape, but also confrontation—fantastical elsewheres.

McMillian’s videos address politics more directly as figures and landscapes rooted in the here and now. Preacher Man II (2017–2021) features a lay clergyman seated at a Southern crossroads, delivering his sermon adapted from a speech by civil rights activist Kwame Ture (formerly Stokely Carmichael), written during the height of the Black Power movement. In Untitled (neighbors) (2017), filmed in Austin, Texas, performers in flowing white garments stalk classical grounds and architecture with gestures that are formal, incantatory, and unexpectedly ribald—calling forth a haunting mixture of foreboding ritual and inappropriate response.

For McMillian, as for so many in the U.S., the past is never past. It is a fertilizer that feeds and cultivates the country we must tend to every day.

Upcoming Dates

  • Tue, Apr 28, 2026 All Day
  • Wed, Apr 29, 2026 All Day
  • Thu, Apr 30, 2026 All Day
  • Fri, May 1, 2026 All Day
  • Sat, May 2, 2026 All Day
  • Sun, May 3, 2026 All Day
  • Mon, May 4, 2026 All Day
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  • Sun, May 10, 2026 All Day
  • Mon, May 11, 2026 All Day
  • Tue, May 12, 2026 All Day
  • Wed, May 13, 2026 All Day
  • Thu, May 14, 2026 All Day
  • Fri, May 15, 2026 All Day
  • Sat, May 16, 2026 All Day
  • Sun, May 17, 2026 All Day
  • Mon, May 18, 2026 All Day
  • Tue, May 19, 2026 All Day
  • Wed, May 20, 2026 All Day
  • Thu, May 21, 2026 All Day
  • Fri, May 22, 2026 All Day
  • Sat, May 23, 2026 All Day
  • Sun, May 24, 2026 All Day

Hours

Thu: 10 AM – 7 PM
Fri – Sun: 10 AM – 5 PM
Mon – Weds: Closed


The last entry to the museum is 30 minutes before closing.

The Henry is closed on:
Juneteenth
Independence Day
Labor Day
Veteran's Day
Thanksgiving Day
Christmas Day
New Year's Day
 

The Henry closes at 3 PM on:
Christmas Eve
New Year's Eve

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