TeenTix Blog by TeenTix

It’s Winter in Brooklyn — so naturally, it’s freezing as I walk into the theater and it’s snowing on stage.

Enter Kat, a purple and blue-haired punk rock vixen with a ridiculously filthy mouth. Kat, played by Valerie Vigoda (who, according to the program, is Disney’s go-to lyric doctor!) brings the energy and verve from the very second she steps on stage, stomping around in combat boots in her sleep-deprived stupor. Kat is a video-game composer, and her apartment is strewn with instruments, mixing equipment, and loop pedals. “OK,” you think, “that’s just the set. There’s no way she’ll use any of that.” BUT SHE DOES. THROUGHOUT THE ENTIRE SHOW. Within the first minute, she’s rocking out and live-mixing the hilarious first number, “This Sucks.” Every part of the song is created by her with the equipment — and then it gets better. She walks over to an electric violin and begins shredding, which is awesome, but then she tops herself yet again. She starts singing and playing at the same time! The audience’s collective jaw drops.

1. The soundtrack of Hercules I know what you’re thinking: Isn’t “Hercules” that Disney movie I saw in like third grade? Yes, yes it is. While the movie has a very minimal plot — like really no plot — the soundtrack is seriously groovy. This gospel-infused tracklist has all the catchiness of the contemporary Disney soundtracks, but with the danceability and fun of gospel. It makes me want to dance and sing along every time I hear it. My favorite number is "I Won’t Say (I’m In Love),” sung by Meg, the female love interest in the movie. She is incredibly sassy in this number, and it really just exemplifies my favorite parts of music: sass, dancing, and incredible catchiness.

2. Seattle Symphony This latest season has really shown how wonderful the Seattle Symphony orchesta truly is. Last October, Seattle Symphony performed the soundtrack of Psycho along with the movie, showing their versatility and pure musical ability. Then in February, they performed Hector Beriloz’s Symphonie Fantastique in its entirety, which completely blew me away. Their next major concert is Celebrate America beginning on May 29, and it’s sure to be great.

What do superheroes, gifts to homeless people, and poisoned blueberry muffins have in common? These were all subjects of films presented in NFFTY’s “Northwest Life” screening on Sunday. Gothingham by Robert Bojorquez follows the misadventures of Batman and Spiderman in the underwhelming city of Bellingham, Wash. In Change of Heart, filmmaker Owen Craft and his team explore themes of altruism and kindness through a simple story about a boy on a shopping trip. A dark and humorous comedy, MUFFINS by Hadley Hillel tells the story of a baker who fails to successfully execute his duties as a hitman. Many of the films featured in “Northwest Life” possessed a quintessentially Northwestern spirit, and all of the talented filmmakers from this region are worthy of recognition. However, the three documentaries in this set of films deserve special mention.

Then and Now This film follows the narrative of Eloise and her family in her fight against cancer. Presented by a team of 17-year-old Washington filmmakers (Ana Krafchick, Dayan Flynn Walsh, and Enjuli Chhaniara), “Then and Now” conveys a poignant and authentic description of a young girl’s life. Eloise and her family are strong, and Eloise articulates the ways in which she has refused to be defined by her battle against cancer. This documentary shares an important story from a local family, inspiring and encouraging the audience.

Saturday's “Reel Animation” series of films showcased a variety of creative artistic techniques, some of them effective and others regrettably not.

Candy Floss by Linnea Ritland is one of the good ones. It is a music video recalling a summer romance. The music is a cute, little ukulele ballad, and the animation provides artwork for the lyrics. The combination of live action, hand-drawn pink figures, and 2D computer-assisted animation creates a unique narrative. The live action segments give the music video a retrospective point of view, while the pink color of the hand drawn characters gave the memory a light-hearted and fun mood, as well as tying into the color of candy floss.

This series of short films shown at NFFTY on Friday revolves around shared themes of black humor, endings, and death.

Standing out as a favorite is Applesauce by Nathan Hansen, Cory Soukup, and Drake Tucker. According to the description provided by the program, in this film “A man thinks he has found true happiness. But he quickly learns that this comes with a price.” This happiness comes in the shape of a curious life-sized horse statue by the name of Applesauce. This short has amazingly cheesy sound effects that provide irony and hilarity as well as solid cinematography techniques that are at once tactful and seamlessly blended into the narrative.

Friday marked the continuation of an exciting lineup of films at NFFTY. Among the sets shown on Friday was “A Guide to Growing Up” in which filmmakers from 3 different countries (Canada, Australia, and the United States) showed films addressing a plethora of issues regarding the difficulties (and joys) of what it means to grow up and maneuver your way through developing your identity, perspectives, and personality in today’s modern world.

The following films are some of the highlights of the evening and deal with a variety of themes that cover some aspect of what it means to grow up and to overcome the challenges encountered along the way.

On Thursday night, filmmakers and art fans flocked to the Opening Night Gala of the National Film Festival for Talented Youth (NFFTY). This annual film festival, hosted in downtown Seattle, brings together international filmmakers ages 7-22 in order to cultivate the next generation of film talent. NFFTY presents films filled with passion, excellent visual design, and an innovative spirit. The films showcased at the Opening Gala of NFFTY 2014 were compelling and well-made, eliciting both tears and laughter from the audience.The following films are just a few highlights from the evening.

Dave’s Wild Life, directed by UK filmmaker Samuel de Ceccatty, captures the essence of what it means to live a passionate life. Dave would love to be a naturalist, and he keeps with pride a little leather journal full of diagrams and drawings of urban creatures (such as the “London Hipster”). Between Dave’s self-conscious grins and head-bobbing, you can’t help but smile. (Major shout-out to Stuart Benson for a fantastic portrayal of Dave and his endearing awkwardness.) From the outside, Dave’s life appears uneventful and mundane. But Dave lives his life to the fullest, armed with an infectious grin and creative perspective. His imagination makes life a worthwhile adventure. The film raises the question, “Do you live your life with as much passion as Dave?”

An evening that ignited excitement, joy and appreciation for the art and talent of young directors is the best way to describe the amazing gala celebration that kicked off the 2014 National Film Festival for Talented Youth (NFFTY).

The gala was held at Cinerama, where hundreds of spectators were excited to experience firsthand the talent of the young directors who opened the festival with high-quality films that varied in content and style. As crowds walked down the vibrant red carpet that lead to the theater, photographers, press, and audience members young and old gathered to celebrate NFFTY 2014.

Bethany documents a jungle. It’s setting in suburban America may seem sterile. Those who live in it slick back their hair and put on suits. They follow its rules and rarely stray from protocol. They do and say the “right” things. They’re always courteous, always civilized.

But beneath the niceties and small talk, the intention of the jungle—the savage relationship between predator and prey—is very much alive. It’s easy to get lost in the chaos of economic free fall. And those who don’t make the sale, who don’t pry open the door, are liable to slip through the cracks.

Do you think of yourself as beautiful? Whatever the answer may be, it’s more than likely you’ve been exposed to external forces that have shaped the way you perceive yourself and others that fall within certain standards of beauty. One powerful external force is the mammoth-like monster of the media sending the recurring message of the objectification of women’s bodies.

Impenetrable by Mia McCullough full-frontally deals with issues regarding the objectification of women in the media, beauty, religion, relationships, and rape culture in a compelling way. By engaging the audience through a narrative that involves sensitive topics, the show challenges the ideals entrenched in society that tend to value women for their outward appearance.

Alden is a high school student at Garfield High School, in the 2017 graduating class. More interested in music than writing in his free time, he’s been writing his own material for a few years now, primarily electronic and orchestral or both. He hopes to study biotechnological genetics or music production/management for a career and to be honestly happy and self-loving for a lifetime.

1. Kithkin “Kithkin are a Cascadian treepunk tribe out to spread the hidden knowledge of the forests. Through its rituals and performances, Kithkin hopes to confront crowds about the impending ‘end of things’ through witchy rhythms and chaotic sorcery.” That’s what their Bandcamp profile states. Only having produced one full release ever — their Takers and Leavers EP back in 2011 — this band is still touring with the same material more than 3 years later. And it’s still amazing. Really, it can’t exactly be described with words, as the band has such a finely-tuned and crafted aesthetic that the their very existence is art within itself. Check it out. That is all. And be free.

The story of A Midsummer Night’s Dream is complex. There are kings and queens, fairies, multiple love stories, magic spells, and a character whose head is replaced with that of a donkey’s. As if reading Shakespeare’s own original work wasn’t difficult enough, Pacific Northwest Ballet has taken on the fanciful tale in an even more challenging way: wordlessly. With music by Felix Mendelssohn and choreography by George Balanchine, the PNB company manages to share the Bard’s mystical comedy through ballet.

Act one begins in a forest of dreams. The elaborate set of this production is astounding. At times the forest is full is luscious pink roses and ballerinas portraying fairies and butterflies dance below them. A giant green tree frog watches over the forest dwellers. Of course, a magic flower, which causes anyone sprinkled with its pollen to fall in love with the next person they see, grows in a world like this.

“As I walked into the Miró: The Experience of Seeing at Seattle Art Museum, I noticed first off the gorgeous use of color in the artwork itself. A greeting piece that demands attention, Miró’s ‘Woman, Bird and Star’ is the essence of larger-than-life colors. The second thing I noticed was not the other art pieces, but the bright, crimson wall that stands out from its white peers. There are several atmospheric touches like this throughout the exhibition, including quotes by Miró that are printed onto the walls, as well as a room that is completely painted black. Continuing on the topic of the atmospheric setup, the lighting is absolutely spectacular. As pertaining to the sculptures, the lighting is such that you can see shadows, which creates incredible depth and a more natural viewing perspective. Almost unnoticeable, the lights trained on the paintings are centered so that the outer corners of the walls are darker than the focal point.” - Hattie S.

“One of the most fascinating parts of this exhibition is the use of color in the works. Miró's sculptures are cast from bronze and have a mystifying tint to them: a combination of blue, green, white, black, and tan. His paintings are dramatically different, consisting of vibrant blues, reds, and yellows, outlined in pure black lines. The two divergent value themes serve to play off of each other, creating a sense of harmony and balance.” - Georgia G.

About the DJ: I like many nerdy things and if I don't know what you're talking about, I'm always willing to learn. Because I love learning about new things, I'm also active in journalism and media production. I will be attending New York University in the fall, where I will be studying Media, Culture, and Communication.

1. BIGBANG On my recent flights to and from New York, I listened to South Korean pop group BIGBANG's album Still Alive using the in-flight entertainment. The stunningly produced, riveting tracks did not disappoint, even for someone who knows no Korean. These MTV Music Awards "Best Worldwide Act" winners are some of the most iconic K-pop personalities ever. They are signed to YG Entertainment, the same powerhouse that employs rapper PSY, of "Gangnam Style" (the most-viewed YouTube video of all time) fame. BIGBANG is making a much anticipated comeback this summer, when they are sure to show the world that they are still "Fantastic Baby."

About the DJ: Right now, I am a senior at Hazen High School, but I am super excited to be spending the next school year at the University of Washington! My hobbies include taking gratuitous selfies with my cat Chico, consuming copious amounts of chai tea, and Netflix binging.

1. Mapei Mapei premiered the music video for her single "Don’t Wait" last week, and the song has since been on repeat on my iPod every day. Describing her genre as “soulful doo-wop,” this Sweden-based singer shows off her major talent in this enchanting song. Her previous EP Cocoa Butter Diaries is just as awe-inspiring, and I can't wait to see what this new artist will showcase next.

Take your interaction with the arts to the next level — learn how to write about them!

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About the DJ: I am an aspiring playwright, novelist, chef, computer scientist, screenwriter, and now art critic. My special talents include puns, procrastination, and cupcake frosting. My special talents do not include painting, playing trumpet, or understanding intermolecular forces, but I make frequent attempts anyway. I live by the phrase, “A sloth is just a koala doing tai-chi.”

1. Emma Approved This webseries is an adaptation of Jane Austen’s Emma, as told through the YouTube channel and Twitter account of Emma Woodhouse, a 20-something SoCal socialite and lifestyle excellence specialist. It’s a radical immersion into literature as the thick volume published in 1815 is condensed into a collection of 4-minute vlogs. (See its predecessor, The Lizzie Bennet Diaries, as well.) So maybe there aren’t any cravats or Colin Firths in ponds, but take it from an Austen devotee: Emma Approved is proof that classic period dramas are much more than a practical cure for insomnia. They can be funny. Fresh. Exciting. They just need a good lens.

This is BIG. We got our very first national press today when a story about TeenTix from local NPR station KPLU was posted to national NPR's facebook wall! WOO HOO!!!!

TeenTixers, just take a second and remember how amazing you are. Seattle is the only place in the country that has TeenTix. Seattle is showing the rest of the world that teens actually do care about art. You are making a difference for young people everywhere. Go YOU.

The most common excuses my friends give me when I ask them to accompany me to the ballet are the following: “It’s too long!” “I never understand what’s going on!” “It’s boring!”

But Pacific Northwest Ballet’s Pinocchio is the perfect beginner’s performance to gain an appreciation for ballet. Only running a little over an hour, it eliminates the inevitable fidgeting that often accompanies long periods of sitting. Pinocchio opens with a colorful set and costumes transporting you to a circus-like atmosphere in which you quickly forget you are indeed at the ballet. Pinocchio tells the classic childhood fairytale with upbeat music, humor and, of course, energetic and remarkable dancing (which is the real treat of coming to the ballet).

Painted in primary reds, yellows, greens, and blues, the dozen chairs that make up the majority of The Suit’s set are unrealistically simple, impossibly bright. They’re the sort of chairs a child would draw for stick figures in a two-dimensional house, shallow and cheery.

The chairs are fitting for the home of Philomen (Ivanno Jeremiah) and his wife, Matilda (Nonhlanhla Khewsa). The two tiptoe around the delicate illusion they’ve weaved together. Playing house, they eat from an invisible tray, bathe in an invisible shower, and turn an invisible faucet. They pretend not to notice that two chairs make their bed, that a bare clothing rack serves as a wall. Philomen narrates his life in Sophiatown as if reading from a storybook approaching its happily-ever-after, as if he’s beyond the trials of South Africa’s apartheid and marriage’s pitfalls.