Bringing Joy In June

Teen Editorial Staff June 2021 Editorial

Written by Teen Editorial Staff Members Eleanor Cenname and Triona Suiter

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Take a deep breath. We’ll do it with you: in… and out. You have made it to June, and we are so proud of you. Whether you are a student and are nearing summer break or are working, take a moment this month to step back and breathe. When we think about summer, we might associate it with the beach or the pool. Proximity to water has been shown to reduce cortisol (a stress hormone) levels. This is called the Blue Mind Theory. So as we enjoy this warmer and sunnier month, we can take a moment to let the water that surrounds us here in Seattle carry away a bit of our stress. Another way that we can take breaks this month is through art. We have an exciting list of events for June that we hope will bring as much joy to you as they do to us.

Tune in on the 10th for a virtual presentation from Dr. Temple Grandin at Town Hall, discussing science, curiosity, and her new book. Check out Seattle Shakespeare’s Romeo y Julieta, a multilingual adaptation of the classic star-crossed lovers story. Spend some time exploring Seattle Public Theater’s HUE festival, a celebration of women playwrights of color and their creations. Tackle the truly absurd with The Doll Pit at Washington Ensemble Theatre, where Jody Kuehner spends an hour talking to herself--or rather, her iconic character Cherdonna Shinatra. Or, if you’re looking for something more visual, why not check out MoPOP’s Heroes and Villains exhibit, featuring over 70 iconic Disney costumes?

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A Memorable May

Teen Editorial Staff May 2021 Editorial

Written by Teen Editorial Staff Members Lily Williamson and Mila Borowski

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The month of May has already provided both rainpours and blue skies, and in spirit with a month that really drives home the diversity of Seattle weather, we have a diverse array of art events to check out while hunkering down from seasonal showers. From a story about strong and dystopian heroines to an event highlighting the future of the music industry, the Newsroom will be reviewing events this month for every art enthusiast.

Curl up and listen to The Effluent Engine if you are in the mood to dive into a steampunk short story, read dramatically by Book-It Repertory Theater’s cast. Or, rather than hear about a fictional heroine, you can learn about Ellen Ripley’s feminist journey as evaluated through her roles in film at What The Femme: The Evolution of Ellen Ripley, a virtual class provided by SIFF.

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April’s Showers and Flowers

Teen Editorial Staff April 2021 Editorial

Written by Teen Editorial Staff Members Anya Shulka and Lucia McLaren

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As vaccination rates rise, we can see the tail end of the pandemic on the horizon (knock on wood!). In this uncertainty-filled year, it's a huge relief to see improving conditions, though exercising caution is more important than ever. Still, warmer weather is peeking around the corner, and there's plenty of art and media for you to explore this month—no matter what you're looking for.

It’s no secret that the news has gotten everyone thinking about what comes next. For those interested in what life might look like in the future, look no further than Unexpected Productions’ Seattle Theatresports, a now in-person improv show. For those who prefer to see what teens envision the coming years to look like, check out SIFF’s Futurewave, an exciting lineup of movies and shorts curated for youth audiences.

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One Year Later

Teen Editorial Staff March 2021 Editorial

Written by Teen Editorial Staff Members Triona Suiter and Eleanor Cenname

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Congratulations, everyone! We have made it to March 367th, or maybe 370-something by the time you read this. In any case, March is the longest month of the year. Well, not literally, but it sure does feel like it sometimes. Perhaps it is because March is both too cold for shorts, yet also allergy-inducing, or maybe it is because the powers that be deprive us of an hour of sleep. In any case, the great news is that once we are done with March, we will have turned a corner. Down this new street, the signs in storefronts advertise longer days, a little more sunlight, and maybe a bit of optimism. But until we reach these brighter times, we at TeenTix have the art to get you through the one year anniversary of March.

If you’re craving some lighthearted fun, why not check out So Bad It’s Good at MoPOP for a collection of failed movies to watch and laugh at? Or if you’re wanting something a little more serious, SIFF Cinema’s Night of Kings is sure to be captivating (note that this movie is rated R, watch at your own discretion). For those of you looking to learn something this month, Seattle Art Museum is hosting a virtual presentation on March 6, to discuss how historical genocides in Java, Indonesia impact the dance scene there today. Or if you’re truly desiring the absurd, Dacha Theatre’s board-game-inspired, 90’s-themed, interactive zoom show, Secret Admirer, could be just the thing for you.

Keep your eyes out on the blog to catch teen coverage of these events, as well as a small anthology of Heathers reviews from some of our Newsroom writers. And don’t forget to check out the TeenTix Arts Podcast, with new episodes released every month!

However you decide to get through March, we hope you’re staying safe and healthy, and please, wear your mask.

Lead photo credit: Photo by Sid Sun for Unsplash.

The TeenTix Newsroom is a group of teen writers led by the Teen Editorial Staff. For each review, Newsroom writers work individually with a teen editor to polish their writing for publication. The Teen Editorial Staff is made up of 6 teens who curate the review portion of the TeenTix blog. More information about the Teen Editorial Staff can be found HERE.

The TeenTix Press Corps promotes critical thinking, communication, and information literacy through criticism and journalism practice for teens. For more information about the Press Corps program see HERE.

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Is Disney Ever Going to Stop Making Live-Action Remakes?

Editorial about Disney's live-action remakes

Written by Teen Writer Valentine Wulf and edited by Teen Editor Lily Williamson

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In 2010, Walt Disney Studios remade their 1951 animated adaptation of Lewis Carrol’s Alice’s Adventures in Wonderland as a live-action film. The cult of Walt had dabbled in remakes before, with their first live-action adaptation of The Jungle Book coming out in 1994 and two live-action adaptations of One Hundred and One Dalmatians released in 1996 and 2000, but none of them had made anywhere close to the whopping $1.025 billion that Alice in Wonderland made.

Disney’s next live-action remake, Maleficent, riffed on their 1959 animated film Sleeping Beauty. Maleficent made $700 million at the box office. After that, the live-action remakes of classic Disney-renaissance era animated films became more frequent, creeping into movie theatres like an infectious, CGI-heavy plague. Cinderella came next, then The Jungle Book. The most recent films (with the exception of Mulan) all made over $1 billion at the box office.

Despite doing well at the box office, Disney’s live-action remakes are all widely agreed, by both critics and audiences alike, to be pretty mediocre. They receive lukewarm reviews and are torn apart online, especially on Twitter, with tweets like “I think I’ve finally come to the realization that I can’t wait to die so I won’t have to be around for the animated remakes of the live-action remakes of Disney Animated Films” (Hernandez 2021), and “The amount of people willing to die on this hill of defending the live-action remakes makes me wish the world ended in 2012” (Gladiator 2020). Twitter user @danny8bit says, accompanied by images from four Disney remakes, that they are “forever grateful to these movies for proving, once and for all, that animation is superior to live-action” (Barnes 2020). Mairi Ella Challen and Johnny Depp in Alice in Wonderland (2010) © Walt Disney Studios 2010

The downgrade from animation to live-action is what puts many people off. Disney’s excessive use of autotune and CGI in their remakes creates a soulless carbon copy of the original, with an uncanny valley spin. Alice in Wonderland is the only film that attempted originality in its design, with its relentlessly bleak post-apocalyptic Wonderland. It’s visually interesting, but substanceless. In my opinion, the original charm of 2D animation simply doesn’t translate well to live-action.

But my opinion means nothing, nor does anyone else’s. Critic and audience reception is meaningless to Disney, and it’s clear they’re going to continue churning out remakes so long as they’re making a profit, because to them, the number on Rotten Tomatoes means nothing compared to the number next to the dollar sign.

There’s a reason people keep coming back. Clearly, from the reviews, it’s not because of the quality of the films. It’s the nostalgia. The adults who grew up on their animated films and now have children of their own watch them with their kids to relive the memories and then complain to said kids about how much better the original was. The adults without kids also watch the remakes to relive the memories and then complain on the internet about how much better the original was. Either way, there’s a lot of complaining happening. Mena Massoud and Will Smith in Aladdin (2019) © Walt Disney Studios 2019

It’s clear from the criticisms of these remakes alone that the sole motivation behind people watching them is nostalgia. No one goes to watch a Disney remake expecting fine art. You watch a Disney remake expecting to see the exact same scenes from your childhood redone with three-dimensional people instead of two-dimensional people. This lust for the familiar comfort of the original films stifles any room for genuinely reimagining them. Audiences complain that the movies are exactly the same as the originals, and then complain when they’re not exactly the same as the originals.

The constant buzz around every new live-action remake, whether negative or positive, just means more money for Disney. In fact, they’re already planning on remaking Snow White, The Little Mermaid, The Hunchback of Notre Dame, and Hercules, to name a few.

Maybe you love Disney’s remakes, maybe you hate them. Maybe you agree that they’re outstandingly mediocre. So is Disney ever going to stop making live-action remakes? The record-breaking box office numbers speak for themselves: nope.

Lead photo credit: Emma Watson and Dan Stevens in Beauty and the Beast (2017) © Walt Disney Studios 2017

The TeenTix Newsroom is a group of teen writers led by the Teen Editorial Staff. For each review, Newsroom writers work individually with a teen editor to polish their writing for publication. The Teen Editorial Staff is made up of 6 teens who curate the review portion of the TeenTix blog. More information about the Teen Editorial Staff can be found HERE.

The TeenTix Press Corps promotes critical thinking, communication, and information literacy through criticism and journalism practice for teens. For more information about the Press Corps program see HERE.

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New Hope?

Teen Editorial Staff February 2021 Editorial

Written by Teen Editorial Staff Members Lily Williamson and Triona Suiter

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It’s finally February, and while 2021 has been more like 2020 than we’ve hoped, things may be starting to look up. Spring is coming, Washington is in Tier 1 of the vaccine rollout plan, and you can even see art in-person at museums now. With all that, we’ve decided to bring you art this month that is, in some sense, optimistic, including new and unconventional works from Seattle Shakespeare Company and On the Boards, and events in celebration of Black History Month.

This month, On the Boards continues their optimistic pandemic project, A Thousand Ways. The unconventional performance begins in February in the form of a phone call with a stranger—two members of an unseen audience following a set of directions for conversation. Though the dates are not yet set for parts two or three, On the Boards hopes to be able to gradually progress to in-person performances over the next several months, starting with small audiences and growing larger as restrictions begin to lift.

Unfortunately, that may still be a long way away. So in the meantime, why not check out Seattle Shakespeare Company’s modern retelling of Hamlet in the form of the multilingual podcast, house of sueños? Or maybe tune in on February 9, to Seattle Arts and Lectures to hear Pulitzer Prize winner Lawrence Wright talk about his new pandemic-inspired thriller novel, The End of October. In addition, you can see the Henry Art Gallery’s Set in Motion, which is presented on sixty public buses throughout the Seattle area.

Or, better yet, enjoy art about, by, and for Black people in honor of Black History Month. At The Frye, experience Anastacia-Reneé’s work addressing the struggles of her character, Alice Metropolis, as she fights her way through everything from white supremacy to cancer. And, visit the Northwest African American Museum to see Iconic Black Women: Ain’t I A Woman, a visual celebration of influential Black women through portraits.

Although COVID-19 is far from over, and we’re still not close to experiencing art normally again, we have reason to be optimistic. This month, be inspired, be hopeful, and see art!

Lead photo credit: Photo by Faris Mohammed for Unsplash.

The TeenTix Newsroom is a group of teen writers led by the Teen Editorial Staff. For each review, Newsroom writers work individually with a teen editor to polish their writing for publication. The Teen Editorial Staff is made up of 6 teens who curate the review portion of the TeenTix blog. More information about the Teen Editorial Staff can be found HERE.

The TeenTix Press Corps promotes critical thinking, communication, and information literacy through criticism and journalism practice for teens. For more information about the Press Corps program see HERE.

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2021… A New Beginning?

Teen Editorial Staff January 2021 Editorial

Written by Teen Editorial Staff Members Anya Shukla and Eleanor Cenname

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For many of us, 2021 has been the light at the end of the tunnel as we begin to envision a pandemic-free future. We do not see a return to normal on the horizon — and maybe that is a good thing— but we can see the inklings of hope. As we continue to social distance and meet with each other over Zoom, we can let art fuel this desire for a better future.

Maybe you will find hope in the future leaders and art creators… if so, be sure to look into KEXP’s 90.Teen, a radio program created by Seattle teens. (For those interested in audio-based storytelling, be sure to check out our next TeenTix Arts Podcast!) Or you may want to learn about history’s arts activists through Jeffrey Jackson’s livestream, The Artists Who Risked Their Lives Using Art to Defy the Nazis, hosted by Town Hall Seattle.

MOHAI’s Fabulous Footwear program will guide you in an exploration of the history and stories of shoes, one garment that we might be wearing less of from behind our computer screens. And if, during this gloomy month, you would like to stay inside and watch a movie, Northwest Film Forum’s screening of Film About a Father Who will transport you through three decades during which filmmaker Lynne Sachs researched, filmed, and explored the life of her father. On the flip side, for those who doubt whether any of this is even real, Whim W'Him’s Season 11 of their Choreographic Shindig is based on the idea that we are all living in simulated reality.

While we continue to live in this new normal, let art be your guiding light, helping you maintain your equilibrium amidst the uncertainties of the pandemic. And hopefully, we will be back to seeing artwork in-person soon.

Lead photo credit: Photo by Edwin Hooper for Unsplash.

The TeenTix Newsroom is a group of teen writers led by the Teen Editorial Staff. For each review, Newsroom writers work individually with a teen editor to polish their writing for publication. The Teen Editorial Staff is made up of 6 teens who curate the review portion of the TeenTix blog. More information about the Teen Editorial Staff can be found HERE.

The TeenTix Press Corps promotes critical thinking, communication, and information literacy through criticism and journalism practice for teens. For more information about the Press Corps program see HERE.

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December, a Time For Expression

Teen Editorial Staff December 2020 Editorial

Written by Teen Editorial Staff Members Lucia McLaren and Mila Borowski

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When the weather outside is frightful, it’s the best time of the year to curl up with a hot drink and watch some socially-distanced entertainment! This December, we hope this wide variety of arts programs will have a treat for just about anyone.

To explore the realms of dance, Written in Water by the Ragamala Dance Company and presented by Meany Center for the Performing Arts, takes a refreshing, multimedia take on one’s journey to connect themself with their emotions and spirituality. If you’ve been craving a more comedic escape, take a look at Jet City Improv’s Twisted Flicks. Their improv-dialogue over classic movies of the past is sure to give you the laughter you need. When it comes to missing the experience of your favorite local restaurant, SIFF presents Bread, Love, and Cinema, a class on Italian food and how it’s interconnected with Italian film history.

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Is LGBTQ+ A Genre?

Written by Teen Writers Kyle Gerstel and Anna Martin and edited by Teen Editor Lucia McLaren

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Well, what makes a film a western: the tone, or the cowboys? There is a specific procedure followed by most cowboy movies to effectively portray the (glorified) joys and hardships of cowboy life, with subject and style aligning to form the western genre. However, LGBTQ+ cinema has much broader potential, since a character’s gender and sexuality can be explored in multitudes of ways and don’t dictate every aspect of a story. This suggests that LGBTQ+ should not be considered a genre, but rather a categorization.

However, is that useful to queer people? Due to the inaccessibility of arthouse films, many young LGBTQ+ folks are forced to navigate mainstream entertainment giants like Netflix for crumbs of representation, which can be exhausting. According to GLAAD, a media organization dedicated to LGBTQ+ coverage, less than 20% of films from major studios in 2019 had a character that explicitly identified as LGBTQ+. Everyone deserves to see themselves represented in popular media, so streaming platforms having a category to make finding such stories easier can make the experience much less isolating. One Day at a Time cast. Photo by Matt Winkelmeyer - © 2018 Getty Images

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Community Art in COVID Times

Written by TeenTix Newsroom Writer Joshua Caplan and edited by Teen Editor Kendall Kieras

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Historically, art has been used to interpret surroundings, and reflect those surroundings back to us in an encouraging, enlightening, or thought provoking way. This type of art allows for introspection, discussion, and a sense of resonance. A more immediate type of art, without a topical focus, can simply please the aesthetic part of our minds, distracting from the gloom of our surroundings and ourselves. A chance encounter with art, in these distressing and occasionally dull times, can add a small pocket of reflection or joy to one’s day.

In this period of pandemic and glaring inequity, creativity has flourished in many corners. When businesses were forced to close to prevent the spread of COVID-19 and board up their windows to protect their vacant properties, Seattle-area visual artists saw these expanses of plywood as an opportunity to create community-centered public art..

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Art, Blooming

Editorial written by TeenTix Newsroom Writer Rosemary Sissel and edited by Teen Editor Joshua Fernandes

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This is a time of wonderful and long-awaited change. First, quarantine unceremoniously uprooted our traditional forms of creative expression, cracking open the sidewalks of artistic freedom to uncover inventive new ways of creating and sharing art amidst the concrete and gravel.

Now, the Black Lives Matter movement is tearing down institutional oppression, making room for an even bigger and more inclusive garden, and watering all new shoots with the promises of freedom and equality.

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Virtual World? See Virtual Art!

Editorial written by TeenTix Newsroom Writer Sumeya Block and edited by Teen Editor Tova Gaster

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Is anyone else very, very, very, bored? It’s weird to think that not even a month ago, we were all living entirely different lives. On March 1st, we were still going about our normal routines: taking buses to school, eating lunch (and sharing food!) with friends, and of course, using our TeenTix passes. But all that has changed. Now, I go to my classes via Zoom, I take a walk around the block, and, like everyone else, I try my best to help contain COVID-19. To fill my boredom, I have participated in lots of virtual art. There are many lessons we have learned since quarantine and one of the big ones is that humans are adaptable; we change to fit our environment no matter how drastic the situation.

Just like how we have had to adapt, so has art, by catering to an online audience. One can no longer fill McCaw Hall or the beautiful MOHAI Museum but can instead fill an infinite number of virtual seats through a computer screen. Currently, Jet City Improv is hosting a virtual happy hour via Twitch. Seattle Opera and Seattle Art Museum have created an interactive page full of weekly podcasts, interviews, and hand-picked playlists. And those are just a few of the events going on this month! I love being able to support local art right from my bed by interacting, sharing, and donating to their websites. But the true power of virtual art is the ability to experience it from anywhere, try something new, and hear the voices of people from all over the world.

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