Seattle Blog Circus

Duck Pond is a high-flying acrobatic mashup of the beloved ballet classic Swan Lake and the fairy tale “The Ugly Duckling.” Performed by Circa, a very talented group of Australian circus acrobats, Duck Pond captures the drama and emotion of trying to find your place in the world through stunning acrobatic feats. 

The hopeful Ugly Duckling catapults her way into the Prince’s party, seeking to gain respect from the court and the attention of the Prince. She catches the Prince’s eye, but also the critical gaze of the court. Her friendly gift of a tower of pillows ends with a pillow fight and her being left alone to clean up a feathery mess. Abandoned by the glamorous court, the Ugly Duckling is consoled by her loyal tribe of mop-wielding, oversized-overall-wearing duck companions. Hilarity ensues. When the Prince comes to find the Ugly Duckling, he is captivated by a new arrival: the elegant and dangerous Black Swan and her solitary aerial acrobatics. Fueled by her desire for belonging, the Ugly Duckling throws herself into a group of swans and attempts to fly. She tries again and again until the swans accept her and she takes flight, discovering she has been a swan the whole time. Then, in a twist from the anticipated storyline, the Black and White Swans choose each other over the Prince, leaving him confused and self-pitying. The show pares down the plot of the original ballet to focus on daring acrobatic feats, which show inner dialogues and passionate emotions between the characters. Just when the plot seems to be  resolved, an unexpected third act begins with an acrobatic swan fight. After this, the performers dismantle the set and perform a series of delightful circus acts entirely unrelated to the story.Circa in Duck Pond. Photo by Pia Johnson.

Seeing The Peking Acrobats at the Federal Way Performing Arts and Event Center (PAEC) was a thrilling, one-of-a-kind experience, although there were some hiccups. The Peking Acrobats are a Chinese acrobatics performing group that has been touring across the world for over 30 years and have been featured on many news channels. I went on the only night they were performing at the PAEC, or Washington at all for that matter, so I was quite excited to have the opportunity. 

Going in, the PAEC felt more like a movie theater than anything else. There was a small crowd outside, and even a counter selling popcorn and drinks. I first noticed the troupe when I saw two acrobats, a man and a woman, standing at a table near the wall, selling pamphlets. The woman was wearing a Cheongsam, and the man and Tang suit–a traditional Chinese high collared jacket fastened with knots. Most of the acrobats would wear effectively the same costumes throughout the show, with some changes in color. 

The stage is dim– lit only by a soft white glow. Nine actors breathe in a haunting, rhythmic chorus. Their bodies sway to the chugging of the train. The rise and fall, the side to side, calls to mind deep-seated nostalgia, the feeling of travel that, as a child, felt never-ending. As Passengers progresses, the Seattle Repertory Theatre stops feeling like a theater. The acrobats stop being just actors, their daring stunts transform from just circus spectacle. The audience is pulled into a heart-wrenching and deeply human story, told masterfully with the bodies of the performers. Circus is used as a creative device, where the stunts come second to the story. Passengers is one of the most uniquely beautiful things I have ever seen.