Jeffrey Gibson’s loud, emotional, and thought-provoking exhibit "Like a Hammer" is filled with pops of color, ornate beading, chaotic shapes, celebrations of Choctaw-Cherokee culture, and nods to the LGBTQ+ community. Gibson creates a space for viewers to celebrate what makes them different and recognize the hardships society creates.
When I first walked into "Like a Hammer," I was met with bright colors, bold lettering, and various household items that had been repurposed into vibrant and chaotic installations. What immediately caught my eye was an ironing board covered in slashes of neon pink, yellow, and green and a massive flag sewn with patches of different textured fabrics. When I walked into the exhibit I could feel the energy of Gibson’s work animating the room. I could taste the joy, hardship, and care exuded in every stitch and pop of color. What particularly caught my eye was a bright colored travois or parfleche, a large container pulled by horses that is most commonly made by Native American Women. Jeffrey Gibson's "Like a Hammer" exhibit at SAM. Photo by Natali Wiseman.