PNB Artistic Director Peter Boal has exalted the path of ordinary life, and sometimes that of thousands of dancers, selecting three different productions that are both well linked and assorted, giving the public a real and proper representation of the stages in which the individual audience member can be encountered.
The number three is one of the recurrences that the audience can see in the production: three different acts, three different stories by three different choreographers. Matthew Neenan's "Bacchus" opens the show, continuing with "The Trees The Trees" by Robyn Mineko Williams, and the curtain falls on the latest movements Justin Peck's "In the Countenance of Kings." The minimalism of the neoclassical ballet is a perfect conductive line for the different technical aspects. The lights and the dancers communicate the stories and emotions instead of extravagant or pompous costumes, cumbersome set design, or too-perfect lines in the movements. All this makes us as audience members focus more on the feeling of self-recognition as if to say ''This is me! ''Pacific Northwest Ballet soloist Margaret Mullin in Matthew Neenan’s Bacchus. PNB is performing Bacchus as part of DIRECTOR’S CHOICE, March 15 – 24, 2019. Photo © Angela Sterling.