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Work for the Laser Dome!

Do you enjoy music and laser shows? Are you a smiling, team player and customer oriented? Do you love Pacific Science Center?Then we have an opportunity for you!!Pacific Science Center is currently seeking Laser Dome Ushers. Seeking volunteers that love lasers, music, and helping people. Must be 16 or older. A great opportunity for teens.More details on the opportunity is available here: http://pacscivolunteers.blogspot.com/2012/11/laser-show-usher-volunteer-adult-and.htmlCheck it out, and apply today.And remember, your TeenTix pass gets you $5 admission to Laser Dome events ALL THE TIME! Click here for a current schedule.

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The Never-Disappearing Wall

Review of Amarillo at On the Boards by Melissa C.Beautiful, creative, and moving. These are the words I use to describe Amarillo. The use of sand, water, clothing, cigarettes, point of view, multi-media, dance, color, light, movement, and voice were nothing short of perfection.In Amarillo, the tale of the illegal immigrant making his way to the U.S. and back is told almost entirely in Spanish with English translations projected on the back wall along with live-streaming and prerecorded video. That is not all that the back wall is used for. The actors jump at, climb up, talk to, and dance with this large, symbolic piece of concrete. I would like to think that I know why they interacted with the wall in this way, but every moment in this piece, every prop they used, and every line they said could be broken down and analyzed for meaning. In the end you didn’t need to know exactly what was going on for the emotion to strike home. Not only is it an incredibly well done piece, but it holds a message that is really important for people to hear – especially young people. Our country needs to change its perspective on illegal immigration and that starts with the us. This piece made me see that we need to understand the plight of the immigrant – not make them the enemy. We need to work together to find solutions – not decide that the only solution is elimination.However, even with this awakening, I still have some questions. I’ll admit that, with my very sheltered world view, I cannot possibly comprehend what would compel someone to illegally cross the Mexican/American border. I don’t understand how the promise of a country that has massive unemployment, is hugely discriminatory against Latinos, and does not try to make life easy for immigrants could outweigh the sorrow of leaving your home and your family and the risk of death when crossing the border. I also don’t understand what I can do to help. Obviously I don’t want these people dying out there – people who are willing to do whatever it takes to get the privileges that I was born with. But I don’t see how I can change anything. Is the idea that our border should just be open and any one should be allowed in? Or was the idea purely that we should stop looking at immigrant control as a political issue or an economic issue and start looking at it as a human issue? I wish that they had made it through the desert. That they had brought it closer to home, and addressed an issue that I could help correct. Because I feel that there are things that can be done right here in are communities. Often that the border never goes away in America today. The talk back after the show was a perfect example of the never-disappearing wall. There was no proper translator onstage and only about half the audience spoke Spanish while all those being interviewed spoke little English. I sat back, interested, as I watched the attempts at communication breed frustration. Even in this situation, where we desperately want to hear each other and understand each other and communicate, it was extremely difficult.In a way the show was ironic because it brought down that wall. The many different forms of communication that were present made language an afterthought and the personality and emotion the actors brought to the stage made them sympathetic to someone from any culture.Hermoso, creativo, y en movimiento. These are the words I should use to describe Amarillo.Amarillo is closedNext up at On the Boards: Kyle Loven's Loss MachineDecember 5 - 10Read more about Kyle Loven in his TeenTix Crush of the Month profile

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Tastes Like Life

Review of The Glass Menagerie at Seattle Repertory Theatre by Joyce R.Photo by Alan AlabastroThe contents of The Glass Menagerie are few; one room and four and a half characters: Tom Wingfield, Laura Wingfield, Amanda Wingfield, the gentleman caller, and a picture of Mr. Wingfield, staring at them through it all.With so little to work with, it’s expected that not much happens, and that’s partially true. In the one room where everything occurs, there are no epic quests, no passionate loves, and no valiant heroes. Rather, this room houses beautiful lighting that looks like silhouettes on sunsets as we watch reality unfold while the characters see only their dreams.Whether it’s Amanda Wingfield, the mother, dreaming of her lost past and her daughter’s future gentleman caller, or Tom, dreaming about his escape, they’re all deluded, they all see a reality that isn’t real.Photo by Alan AlabastroYet regardless of the illusion that this family lives in, there are moments in The Glass Menagerie that are so relatable and tangible and so uncomfortably close to the heart that the knee-jerk reaction is to swat them away. Swat away the pestering mother, Amanda Wingfield, and not bother to look for the love underlying all her actions. Swat away the distressingly fearful sister, Laura Wingfield, and not bother to see the perceptiveness hidden in her silence. Swat away the selfish Tom, and ignore his underlying longings that are so similar to our own.Swat them all away and choose to ignore how similar they all are to ourselves.We are like Tom and Laura and Amanda. We sacrifice, we quietly wish, and we fear. And like them, we all live in our own illusions in some way.The Wingfield family eventually learns that dreams aren’t all they’re cracked up to be. Playwright Tennessee Williams wasn’t fond of the happy ending (as evidenced by his other plays, A Streetcar Named Desire and Cat on a Hot Tin Roof) and this play isn’t an exception. By the end, this sad little family that lives in their dreams is coldly brought back to reality.It doesn’t exactly bring the warm fuzzies, but it’s life.Photo by Alan AlabastroAnd that’s why there will be many different interpretations of The Glass Menagerie, because it’s a play so chock full of life; full of recognizable moments that happens secretly in households when no one is around; full of the things you think about before bed, when no one is listening. This play tastes like life and even if it’s not conventionally enjoyable, The Glass Menagerie forces a mirror in front of your face, that’s what makes it so worth seeing.The Glass MenagerieSeattle Repertory TheatreThrough December 2

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A Beautiful Landscape

Review of Landscape of the Body at UW School of Drama by Sam H-A.Photo by Frank RosensteinThe stage is dark except for one guardrail. A woman stands, feverishly looking over her shoulder, frantically writing on sheets of paper. Stuffing them in a bottle. Throwing them over the edge. A man comes up behind her and you are swept up in a conversation that has no meaning to you. Words like "confession" and "yes." Short and curt. Until the woman finally blows up. Launching into a monologue about her son. Blackout. We switch settings to an interrogation room. We soon find out the woman is a suspect in her son's murder. Another woman, with a voice from "above" is talking now. Explaining everything that's going on. Her death, her nephew's death. You are then launched into a story of love, loss, heartbreak, and sorrow. Laughter. Tears. All while finding out the gut-wrenching past history of Bert, a teenage boy from Maine whose mother is mourning the loss of her sister while trying to raise him. All the while--in the present--she's trying to find out who murdered and decapitated him. Seems gory, right? It's not. Beautifully staged and incredibly acted, director L. Zane tells this heart-wrenching story beautifully, and this show will definitely bring you to tears of laughter, joy, and sorrow. Landscape of the BodyUW School of DramaMeany Studio TheatreThrough November 18Watch the Landscape of the Body video:

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Rather Ambitious

Review of All Premiere at Pacific Northwest Ballet by Jennie K.

PNB's All Premiere showcases four world premiere works on one program. Although it seems rather ambitious, the ballet company manages to pull together four distinctly beautiful pieces.

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Awesome Punch

Review of Antony & Cleopatra at Seattle Shakespeare Company by Alyssa O

Seattle Shakespeare Company’s Antony and Cleopatra is the young Arnold Schwarzenegger of theater: it’s dramatic, sexy, romantic, it sounds kind of funny, and it sure knows how to pack an awesome punch. In terms of all other plays I have seen prior to this, Antony and Cleopatra is truly the full package. It does for theater what Carmen does for the world of musical performance.

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Casual Friday

Review of Haydn’s Drumroll Symphony at Seattle Symphony by Rheanna M.

Friday, October 19th marked the first of the Seattle Symphony’s ‘Untuxed’ Series, and it will definitely not be the last. Waiting for the musicians to enter the stage, I had forgotten about the ‘Untuxed’ part of the concert and was taken aback by the wash of colors that flooded the stage. The normal-but-still-nice clothing donned by the musicians made the atmosphere much more comfortable than with their usual formal attire. I loved it – it made the entire performance relaxed and enjoyable. It’s hard to understand why they don’t do every performance this way.

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Get Your Sugarplums On

As all you old school Teen Tixers know, Pacific Northwest Ballet's wildly popular Nutcracker ballet is the only PNB show all year that is not Teen Tix eligible. Sad face. However, every year, because they love us so much, PNB puts aside a little stash of Teen Tix tickets for one Nutcracker performance. Happy face! This year's Teen Tix-able Nutcracker show is Thursday, December 27th @ 5:30.There are NO companion (2 for $10) tickets available, just regular Teen Tix tickets. These tickets will be available in person at PNB's McCaw Hall box office starting at 4:00 pm on the 27th only. There are a limited number of Teen Tix tickets available, and they always sell out, so plan to arrive early.We heart you, PNB. BFFs 4eva.For more information about the Nutcracker, please visit PNB's website.

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Outstanding!

Wow wow wow. Last night was awesome. Last night the Seattle theatre community got all dressed up and celebrated itself at the Gregory Awards(they're kind of like our very own local Tony Awards). It's always a fun, heartwarming event, but last night was especially special for us because last night included the first ever presentation of the Gregory Award for Outstanding Teen Critic, recognizing an outstanding contribution to local theatre criticism by a member of the TeenTix Press Corps! And the recipient of the (first ever) TPS Gregory Award for Outstanding Teen Critic is... Reanne Wong, for her review of Hedda Gabler at Intiman Theatre Festival

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Real real life

Review of No Look Pass at Seattle Lesbian & Gay Film Festival by Sam H-A.A senior at Harvard, Emily Tay is the only women's backetball player at her school. She's trying to make it in the big leagues and make her immigrant family proud, all while keeping a secret. No Look Pass is a real documentary in which you feel so close to Emily, it brings tears to your eyes.Living with her best friend, but about to graduate, she faces everything from championship games to fights with her best friend to the crazy college dating life. After getting to know her personally, you start learning slowly about what her life is like. Not only is she a first generation American, but she's also a hard worker who has to train women in another language, in another country, on work ethic and the basics of women's basketball.This powerful documentary makes you laugh, cry, and everything in between. The Seattle Lesbian & Gay Film Festival runs through this Sunday, October 21.Recommended films for this weekend include:THE DANCE OF TWO LEFT FEETTonight, Friday, 10/19 at 7:30 at Central Cinema more info hereRecommended for ages 16+The screening of the short films from the Reel Queer Youth program: MAKE YOUR OWN MONTAGE, PARANOIA, and SPACE IS A LONELY PLACE, followed by a Q&A with filmmakers. The program also includes the eye-opening and inspiring short film POSITIVE YOUTH. Tomorrow, Saturday 10/20 at 1:00 PM at Pacific PlaceMore info here

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Why Do We Need An Award For Outstanding Teen Critic?

Hello, Holly Arsenault here. I am one of the people who run the TeenTix program. In case you haven't heard, this year's Theatre Puget Sound Gregory Awards will include a new category: Outstanding Teen Critic. The nominees for this year's award were all drawn from this very blog--they are members of our Teen Press Corps who wrote theatre reviews during this year's eligibility period. On TPS's facebook page recently, a theatre colleague raised some perfectly valid questions about the necessity for the award, and I found that my answer was getting a little too long for a facebook comment, so I thought I would share it here (in hopes, also, that some of the readers of this blog will chime in with your opinions.) So, Gerald's comment was this: "Not really sure I understand this one. Why? I understand getting teens involved in theatre, but do the Gregorys really need to have an award for Teen Critics? Just how many teen critics are out there? Should we have an award for regular critics? It seems that the Gregorys are still low on a number of categories for theatre awards. Couldn't the time and energy be spent to get another award to deserving theatre artists?" Here's my answer: Gerald, I appreciate your question, and I think I can help with some part of the answer. First, there are lots of teen critics. The TeenTix Press Corps has about 100 or so members. Since we started the TeenTix blog in 2006, they've written over 300 reviews of local arts events. Next year, this awards will be opened up to young people writing arts criticism for their school papers, as well. Arts writing is featured in almost every school paper in our region, so that represents a lot of young writers. I was thrilled when TPS approached me about finding a way to include teenagers in the Gregory Awards, and I think that choosing to bring attention to the great contributions that young writers, including those who write for this blog, are making to our local discourse about the arts, is a great way to do it. Why? Because if we are serious as a community about welcoming young people into our audiences, we must also welcome their voices into the critical conversation about our work. Why recognize teen critics and not adult ones? Because it sends a crucial message to young people that their voices matter to us. I don't work for TPS and I can't speak to what motivated this award, but I don't think it's an award just for awards' sake. I think it's a little piece of activism--a contribution to the effort to dismantle the barriers that keep young audiences out of our theatres. One of those barriers--perhaps the most significant one--is the pervasive belief on the part of young people that our art form is not for them. (They're not totally wrong about that, by the way. Most theatre is not programmed with younger audiences in mind. But that's a subject for a different post.) The offspring of that conviction is the sense that their opinions are worthless--that they are not entitled to any opinions about the work that they are seeing. And who wants to engage with work that you're not allowed to have an opinion on? Nobody.

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The Bolt That Jolts

Review of Struck By Lightning at Seattle Lesbian & Gay Film Festival by Amy Olsen

ALERT: THIS REVIEW CONTAINS SPOILERS. CONTINUE AT YOUR OWN RISK.

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Have Your Fun and Substance, Too

Review of Pullman Porter Blues at Seattle Repertory Theatre by Anika M.Photo by Chris BennionI’ll just come right out and say it: go see Pullman Porter Blues. This show manages to be refreshing and fun with exciting blues music performed by the best I’ve ever seen, while still addressing important issues with the respect and tone required. Pullman Porter Blues opens the Seattle Repertory Theatre’s 50th season; so I was surprised and albeit a little wary that it’s a musical. For those of you who are frequenters of the Rep, you know that musicals aren’t a particularly common show choice, and because of this, I worried that the acting and plot would be overlooked and overshadowed by flashy, empty music numbers taped together by quick, empty dialogue. I was wrong.Pullman Porter Blues follows three generations of Pullman porters and racial oppression. The all-star cast plays and sings blues songs in a way that everyone can appreciate and enjoy, and presents the story and themes with artistry that I have never before experienced in a musical. Every aspect of the show works in sync with the others forming a cohesive experience. Often shows seem to have one sole focus, whether it is the acting, the singing, or the aesthetics; but no part of this show is overlooked and it manages to do something that few shows can achieve: be completely fun and hilarious to watch while still presenting themes and ideas that can be hard to understand and discuss.Photo by Chris BennionThis show, a world premiere, is hard to pass up; you’ll find it to be full of heart, song, and emotion performed by some of theatre’s best. Pullman Porter Blues at the Seattle Repertory Theatre runs until October 28th, so be sure to catch it before it moves on.Pullman Porter BluesThrough October 28Seattle Repertory TheatreMore info at seattlerep.orgNOTE: Contains brief mature content

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Awards are Fun!

We are super excited to announce that this year's Theatre Puget Sound Gregory Awards (sort of like our own, local Tony Awards) will feature a brand new category: Outstanding Teen Critic! The award will recognize an outstanding contribution to local theatre criticism by a member of the TeenTix Press Corps. That's right! The folks who write for this very blog have been nominated for a big, fancy award. How about that?The four nominees for this year's award are:Callan Carow, for her review of An Ideal Husband at TaprootChelsea Dole, who was nominated for two separate reviews, Pitmen Painters at ACT Theatre, and Or, at Seattle Rep.Reanne Wong, for her review of Hedda Gabler at Intiman Theatre Festival andJenny Singer, for her review of Spring Awakening at Balagan Theatre.The submissions were reviewed by a panel of local arts critics: Laura Dannen (Arts Editor for Seattle Met magazine), Leah Baltus (Editor of CityArts magazine), Omar Willey (Editor of The Seattle Star), Brendan Kiley (Theatre Editor for The Stranger), and youth representative Tucker Cholvin, a former TeenTix Press Corps member who is currently a sophomore at Georgetown University. The recipient will be revealed and the award presented at the Gregory Awards ceremony, October 29 at ACT Theatre.Congratulations to our four nominees, and to all the fantastic writers on our Teen Press Corps, keep on doing what you do! You are (honestly) amazing. By the way, if you are interested in joining the TeenTix Press Corps, we'd love to have you. You can get more info on that here.

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It’s in the Hips

Review of The Cocktail Hour: Music of the Mad Men Era at Seattle Symphony by Iman B.Betty and Don enjoy some tunesGuest conductor Steven Reineke's shiny tie and suit set the tone for Seattle Symphony's "Mad Men era" show that took every listener back to the high-class parties of the 1950s and 1960s. The performance was filled with bossa nova tunes that were lighthearted and fun.The baby-faced guest performing group Vocalpoint! added youth to a set list that was visiting the past. While guest performer Hugh Panaro was almost all you could ask for in a male singing the era's music, his voice lacked the tenderness that is often found in the pieces that the likes of Tony Bennett and Frank Sinatra made famous.Broadway star Hugh Panaro is almost all you could ask forBy far, the highlight of the night was the high energy performance of the Symphony and not its guest singers. Entertainingly, the orchestra's liveliness could be traced back to its conductor, Reineke, who at times conducted more with his hip movements rather than with his baton.Conductor Steven Reineke swings his hipsHowever, the concert did not remain stuck with its TV show-inspired 50s theme, because concert-goers were brought back to recent times by the Symphony's performance of Amy Winehouse's You Know I'm No Good. All in all, this fun pops concert was one that everyone and anyone could thoroughly enjoy. And if you didn't catch this concert make sure you catch the next pops line up the Symphony puts together, because as Hugh Panaro sung, you'll be "Feeling Good" by the end of the concert. The Cocktail Hour is over, but you might be interested in Sonic Evolution, brand new symphonic compositions inspired by Alice in Chains, Blue Scholars and Yes. Friday, October 26 at 8:00 PMMore info at seattlesymphony.org

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