TeenTix Blog

Hosseini was really boring. I found it insulting that he "spoke" in front of so many people without planning anything interesting to say. His performance really brings down the quality of SAL.

Luminous: The Art of Asia @ Seattle Art MuseumA few highlights of the exhibit's tour in JapanFor almost 80 years many of the treasures from this exhibit have belonged to the Seattle Art Museum, and now in an epic creation of history are coming together to become Luminous. There was a recent tour of these historically rich items in Japan where they were eagerly received--just as well as their homecoming will be. The best part of Luminous, though, is the video installation by Do Ho Suh, including a commentary on the richness and value of the artifacts themselves and how they relate to our current world. This display is an enlightening celebration of genius cultural works, and will mark the first time in SAM history to have a major exhibition of Asian art in the downtown gallery space.Luminous: The Art of AsiaOctober 13 - January 8Seattle Art Museum

The 16th Seattle Lesbian & Gay Film Festival @ Three Dollar Bill CinemaIt's here! It's queer! It's the Seattle Lesbian & Gay Film Festival at 3DB, and this year's lineup ranges from the bizarre to the heartwarming.A few titles we're loving right now:-Varla Jean and the Mushroomheads profiles a semi-famous drag queen from New Orleans in this mockumentary as she attempts to create an educational program for children.-Married in Spandex is a documentary about two women who travel to Iowa from Philadelphia to tie the knot (in spandex lamé, of course) while trying to gain acceptance from their families and the world.-Saturgay Morning Cartoons is a series of short animations and classics we all know and love. 3DB encourages you to wear your PJs to enjoy the FREE cereal they'll be serving up with your 'toons.There are TONS of other films (some more appropriate than others). We suggest going to 3DB's website and browsing the titles and descriptions to see which films will be best for you and whoever you bring with you. No matter what you choose, you're sure to have a fabulous time!The 16th Seattle Lesbian & Gay Film FestivalOctober 14 - 23Three Dollar Bill CinemaPLEASE NOTE:Films contain mature themes and language. Appropriate for ages 18 and up.Many of the films take place at different theatres, and you can find a full list of them here.

Review of Dog Sees God: Confessions of a Teenage Blockhead presented by Balagan Theatre @ ACT by Rachel T. “Good grief!” Admit it, doesn’t this two word phrase instantly trigger a flashback to your childhood and the many hours spent watching holiday specials chronicling the story of a little bald kid named Charlie Brown with a striped shirt, an endless list of doubts, and a loyal pack of companions? Then we left that world behind and became teenagers. But what would it be like if the Peanuts gang grew up with us? This is the question that Dog Sees God: Confessions of a Teenage Blockhead boldly sets out to answer by taking Charles Schulz’s classic creations and launching them into a future riddled with hormones and teen issues like bullying and homophobia.

Article "Wide-Eye Vigor" by Galen is a extremely mature musical statement I have ever read.NTCM Oscar C.

Survey Winner: Congratulations, Ariana S.!Ariana was the winner of our Fall Survey contest to win a $50 gift card! Thank you to everyone who participated, your results will help us improve our program and make the arts more accessible to YOU. "Since I joined Teen Tix about a year and a half ago, my whole view on the arts has taken a complete turn-around. Before, I had assumed that going to operas, plays, and ballets, for example, were only for pompous middle-aged people who have been active participants in the arts their entire lives, the opposite of myself. However, I quickly found out that that's not the case. I finally went to an opera at McCaw Hall over a year ago, and I absolutely loved it; everything about the experience amazed me. Shortly after that, I went to another opera, and another. I had finally experienced the sort of art form that many people never get to enjoy even once in their life. Now, I pride myself in discovering Teen Tix because it has exposed me to the truth about the arts, even though I've only been to operas and ballets. In all reality, the arts are not only for those who have had a rich background in music or theater or painting - anyone can appreciate and experience them firsthand without criticism and have the best time of their lives! I am so grateful to have discovered the Teen Tix program, and I will be absolutely devastated the day I become too old to use its great advantages. Thank you so much, Teen Tix!"-Ariana S.

Review of The Beast @ Spectrum Dance Theatre by Olivia M.Looking through the multitude of notes I took at this performance, one stuck out as a summary for the whole experience: “Short, and anything but sweet.” This piece, only 55 minutes long, is a blunt, dramatic look at domestic violence and it is one of the few times I left an artistic performance feeling as if I had undergone an emotional trial, but in a good way! I would 100% recommend this to everyone.This piece was first commissioned in 1996 by the UW’s World Series and Dance Umbrella in Austin, choreographed by Donald Byrd, and was used to promote domestic violence awareness (which it still does, with domestic violence awareness and resource pamphlets arranged in the front entrance of SDT.) This is a mixture of: what, due to my dancing ignorance, I would call contemporary dance; live music by a pianist, accordion and percussionist, violinist and woodwind player and acting done mostly by the main actors in both facial expressions and body movements. Photo by Ernie SapiroByrd re-imagined his original piece for its second debut here at SDT, keeping the same steps but this time making it much more “theatrically interesting”, and making use of the characteristics of a theatre style called epic theatre. This included adding literal announcements by a dancer with a megaphone, adding a talking disembodied head which screams at the abusive groom, representing his inner urges, and having a bare stage save for a few chairs and a table used in different scenes. This combining of dance and theatre brings out the best of both mediums with blatant yet subtle presentation of the troubling subject matter. This is evident in scenes such as “The dance about the joke of the perfect wife” where the leads have the most individual version of the misogyny themed choreography, where Monthy crawls like a dog with Jones’ beer can balanced on her head, which is a very clear, narrative ridden chain of events, but with three other pairs of dancers doing similar choreography, but with less individually bold movements, like back-up dancers for a play. Photo by Ernie SapiroDue to how much I liked most parts of this performance, I find it hard to narrow it down for this review, but here are three main points:1) Leading dance artists (that’s really the only way to describe them properly) Donald Jones Jr. and Kate Monthy do an amazing job in their roles of abusive groom and abused bride, and I can see in the future attending shows just to see either of them. Jones’ best scene was announced as “The Beast Breeds”, wherein a powerful solo dance honestly gave me shivers, outshining his bride as she gives birth while screaming with almost comical loudness. Noteworthy scenes of Monthy’s include her in “She Has A Fantasy” where she mutilates various pieces of fruit that correspond to Jones’ body (yes, she does chop a banana with the most crazed look on her face, and yes, that banana does correspond to his penis,) as well as a very sad scene where she watches other pairs of dancers act out violent scenes, which seemed to be to be representative of her past experiences in her own relationship in the piece. 2) I can pretty much guarantee you will enjoy this performance, and be genuinely glad you made the trek down to Madison Park. The entire cast is emotionally invested in the piece, making their performance all the more intense. Monthy admitted to having cried on the way home from rehearsals on occasion due to the emotional stress of the subject. Where was I able to hear this sensitive information? Well, during the time available after each show to ask questions of Byrd, Monthy, Jones, and a third dancer, Ty Alexander Cheng, of course! I felt so lucky to take advantage of that time to pick the brains of the people who masterminded and performed what I had seen only minutes prior. 3) Last, but certainly not least, it’s Domestic Violence Awareness Month. This is probably the best way to acknowledge and learn about a common occurrence in our society that I would guess a significant portion of us rarely think about. NOTE: The Beast contains mature subject matter and is recommended for ages 16+.The BeastThrough October 16Spectrum Dance Theatre

Angélica Liddell: Te haré invencible con mi derrota @ On The BoardsStarting tonight! Don't miss Angélica Liddell's North American debut of her piece dedicated to cellist Jacqueline du Pré. This piece includes body art, a blowtorch, and a paintball gun in a deliciously successful commentary on pain, death, lust and the creative spirit. Learn more about this incredible performer on the OTB website here and here in an exclusive interview. Angélica Liddell: Te haré invencible con mi derrotaOctober 6 - 9On The BoardsNOTE: This show contains smoking on stage.

Khaled Hosseini @ Seattle Arts and LecturesKhaled Hosseini is the author of the infamous novel Kite Runner, known as an international bestseller (seriously, it's been published in over 40 countries!) Native to Kabul, Afghanistan, Hosseini is one of the most influential and inspirational writers of our time. He is currently at work with a humanitarian group in Afghanistan which you can read more about here, and will be interviewed by Nassim Assefi, a local academic, humanitarian aid worker, and underground salsa dance teacher. Khaled Hosseini October 11 @ 7:30Seattle Arts and Lectures

Review of The Cryptogram @ Seattle Public Theatre by Jessica B.Reading David Mamet can be a profoundly frustrating experience. Anyone who has experience with Mamet’s work can spot his style from a mile away: sparse and mundane language, full of repetition and characters with a propensity to misunderstand each other. Such is the case with The Cryptogram. The play centers on the taut, frayed communications at the center of one family. Ten-year-old John (Rowan Calvert) is eagerly awaiting his father’s arrival; tomorrow, he and his father will take a camping trip out into the woods. But even as the hours tick on and John’s father has not arrived home, John waits, drifting between fitful rest and chaotic wakefulness. Yet John senses that his mother, Donny (Emily Grogan) and family friend Del (Richard Nguyen Sloniker) know something that he doesn’t. The things Donny and Del say to each other don’t seem to make sense and John struggles to discover what they are keeping from him—and each other. The stops and starts in The Cryptogram’s dialogue, the crowding of the language, and inability of the characters to aptly communicate can fall incredibly flat without a talented cast. With a talented cast, however, each facial expression, stray gesture, and chopped syllable becomes a clue of the utmost import. 11-year-old Rowan Calvert as John in The Cryptogram. Photo by Paul Bestock.Seattle Public Theater (also known as the Bathhouse Theater) at Green Lake has provided such a cast. The cast fills in the sparse “Mamet-speak” and parses together the fragmented consciousness at the center of their respective character. Without such skill, under the careful guidance of an excellent director (such as this production’s Kelly Kitchens) the play would simply unravel and disintegrate into a mind-numbing and laughable lack of communication. But with this wonderfully talented cast, one need not fear such an end. Grogan and Del demand much from the audience with the careful presentation of their characters; every action, inflection, and twitch is full of thought and can be attributed to their great talent. The young newcomer, Calvert, likewise handles the challenging script with great skill, delicately balancing the innocence of childhood with the devastating realities of adulthood. The Seattle Public Theater’s production of David Mamet’s The Cryptogram is dissonant, aggravating, frustrating, terrifying, but most definitively intriguing—drawing in the audience with the powerful and subtle skill of Grogan, Sloniker, and Calvert. I was held captivated by the puzzle of this family and the theater’s artful use of suspense had its desired result: I found myself holding my breath at the end, enveloped in the story. And that, my dear readers, is what good theater should do. The Cryptogram Through October 23Seattle Public Theatre

Review of Morlot Conducts The Rite of Spring @ Seattle Symphony by Galen C. Ever since the notably young Ludovic Morlot took over as the new music director of the Seattle Symphony, Benaroya Hall seems to have been infused with a new energy. From the fuchsia lights in the main lobby to the fresh sound of the orchestra, there is a vibrant sense of novelty and excitement that was not present before. There was certainly no exception to this at Thursday’s performance of The Rite of Spring.

Can't Look Away: The Lure of Horror Film @ EMP/SFM"Don't open the door!" We've all been there: sitting in the movie theatre, clutching our popcorn for dear life and sitting on the edge of our seats awaiting the hero of the film to get absolutely destroyed by whatever's behind that door. The question is... why do we like that so much?Glove worn by Freddy Krueger from A Nightmare on Elm Street 5: The Dream Child, 1989. Courtesy of Wesley CannonEMP/SFM's new exhibit, Can't Look Away: The Lure of Horror Film attempts to answer this question. Featuring an interactive scream booth, footage from horror films old and new, artifacts from famous films, and more, this exhibit will be sure to make your spine tingle. Can't Look Away: The Lure of Horror FilmOpening October 2EMP/SFMNOTE: Due to the sometimes graphic nature of the exhibit, it has been given a PG-13 Rating

Wonderfully written review!:D

The Beast @ Spectrum Dance TheatreKate Monthy and Donald Jones Jr. in The Beast. Photo by Ernie Sapiro.ROAR! Featuring moves by the infamous Donald Byrd and a raw, original score by theatre and dance composer Andy Teirstein, The Beast at Spectrum Dance Theatre is sure to be one of the most choreographically brilliant shows you will see all year. SDT's website calls it an "unflinching look at love at its most knotty; violent and broken, savage and inhumane."The BeastSeptember 30 - October 16Spectrum Dance TheatreNOTE: Contains mature subject matter, recommended for ages 16+. Quoth the Marketing and Communications Manager at Spectrum, "This show is intense."

Review of An Ideal Husband @ Taproot Theatre CompanyAh, Victorian London—a world of lavish parties, opulent homes, and beautiful people. Taproot Theatre’s production of Oscar Wilde’s An Ideal Husband is set in the midst of this era of perfection, when everyone and everything is expected to be without fault. The protagonist, Sir Robert Chiltern (played by Ryan Childers), seems to fit in with this perfect view of society; he is a wealthy, successful politician with an admirable moral compass. His wife, Lady Chiltern, adores him as though he were a demigod. Yet when a beautiful and clever divorcée appears with a letter from Sir Robert’s past, it is discovered that he is not quite the husband his wife thought him to be.Candace Vance, Anne Kennedy, Ryan Childers, and Aaron Lamb in An Ideal Husband. Photo by Erik Stuhaug.The first half of An Ideal Husband is slow going—more due to the play itself than any shortcomings on Taproot’s part. While the main plot is introduced fairly quickly, the first half is too full of emotional dialogue for my liking. It seems to be just one anxious, fearful conversation after another. The intention might’ve been to build the drama to an explosive end, but I ended up fidgeting in my seat while hoping for some comedic relief. A little visual variety might’ve helped to break up the long dialogues, yet there are no significant changes in the set or lighting during the first half (instead, I spent the time admiring the lovely costumes).Ryan Childers and Nikki Visel in An Ideal Husband. Photo by Erik Stuhaug.In contrast, the second half is very enjoyable. With all the drama out of the way, the actors are finally able to let loose with the humor. Aaron Lamb as the partying bachelor Lord Goring is by far my favorite, practically stealing the show from lead Ryan Childers. Lamb, especially when partnered with his obedient butler (played by Joe Monroe) and disapproving father (Nolan Palmer), is the perfect comedian. I also appreciated Nikki Visel as the sly villain Mrs. Cheveley, whose feminine wiles nearly bring her victory. With this more lighthearted second half, Taproot’s wonderful actors are finally able to shine in their respective roles.Although the beginning of An Ideal Husband may not seem promising, it’s really just a case of delayed gratification; I left the theatre smiling and satisfied. After all, Oscar Wilde was not one to expect perfection of human beings, and neither am I.An Ideal HusbandThrough October 22Taproot Theatre Company

Review of Harold and the Purple Crayon by Katie M.The world premiere of Harold and the Purple Crayon at the Seattle Children’s Theatre is a production not to be missed. The play is based on a very popular children’s book series written in the 1950’s. This show includes elements from three of the books: “Harold and the Purple Crayon”, “Harold’s Trip to the Sky”, and “Harold Under the Sea”. The best aspects of each story are combined to create one cohesive production.The story follows Harold, a little boy with a huge imagination. One night, unable to sleep, he grabs his purple crayon and starts to draw. Much to his surprise, the pictures come to life! Accompanied by the Sun and Moon, Harold sets out on an exciting night of adventure. Just a few of his escapades include making friends with a puffer fish, baking pie for a porcupine, and riding on an alien spaceship.Don Darryl Rivera as Harold in Harold and the Purple Crayon.One of the most intriguing parts of the show is the use of props and technology to portray the story. Since the storyline of this show is so simple, attention to detail is very important. I have been to some Seattle Children’s Theatre productions in the past, and they always succeed with the details. The most crucial prop of the play is Harold’s purple crayon. In a Q&A session following the show, a young viewer asked if the crayon really could write. Don Darryl Rivera, who played Harold, explained that there are actually 12 crayons used in the show which can do different tricks. Other remarkable props include: a pair of singing French puppets, a giant crab, and a majestic dragon. Annet Mateo, the puppet master, and Matthew Smucker, the scenic designer, do a fantastic job of bringing these books to life.Another part of the show I enjoyed is the telling of the story. Music and dance plays an important role in conveying the plot. Choreographer Wade Madsen cleverly interweaves transitions with dances so that the scenes flow smoothly in context. One of the most memorable routines is when Harold goes to outer space. The characters start dancing and singing to a groovy beat inspired by the 80’s, complete with a disco ball. Caety Sagoian and Khanh Doan, who played the Sun and Moon, are talented singers that add to the ambiance. Rivera, Sagoian, and Khanh form a strong trio in all aspects of dancing, acting, and singing.Overall, the main theme of the show is the importance of creativity. The actors cleverly utilize the power of suggestion to get their point across. Since the books consist of very few words, comedy and gestures are essential. Something as simple as a facial expression got even the youngest viewers laughing. The humor used appeals to everyone, from my grandparents to the four-year-old in front of us. Overall, the play is charming, funny, and simple. I guarantee it will get you using your imagination!Harold and the Purple CrayonThrough October 30Seattle Children's Theatre

Review of ALL WHEELDON @ Pacific Northwest Ballet by Sandrine G. This is a retrospective on a 38 year-old-artist. Christopher Wheeldon, though young, is already beyond his “promising” phase. Using a vocabulary of motion familiar to the classical tradition, he reveals the possibilities of dance beyond the prancing clichés that are unfortunately associated with ballet. Just as pioneering biologists in carefully calibrated labs first uncovered the secret activity of our own DNA, Wheeldon uses powerful dancers to circumscribe dynamic, wheeling helices on the boards. His works build on elemental motions and animalistic impressions to vividly illustrate the accompanying music.

¡Carnaval! @ Burke Museum of Natural History and CultureJunior Moco Jumbie stilt walkers, 2001. Courtesy Museum of International Folk Art. Robert Jerome. How did we come to celebrate Mardi Gras? Carnivals with rides and games? ¡Carnaval! explores the tradition of the carnival worldwide: traditions, meaning and arts including the music, masks, and costumes. Learn about eight different communities throughout the Europe and the Americas where these kinds of celebrations are the highlight of the year.¡Carnaval!September 25 - January 8Burke Museum

Beethoven's "Eroica" Symphony @ Seattle SymphonyBeethoven contemplating the complexities of life.This is a triple threat event: First, hear Frank Zappa's Dupree's Paradise from his 1984 album The Perfect Stranger. Then, enjoy Tree of Dreams by Henry Dutilleux on the French violin. Finally, for the main attraction, hear one of Beethoven's most famous symphonies, "Eroica". Originally named the "Bonaparte Symphony" after Napoleon Bonaparte, the "Eroica" Symphony is representative of Beethoven's middle period and of the 18th century's romantic style. First performed by Beethoven himself in 1804, it's now your chance to be present to one of the most infamous and moving pieces of classical music ever composed.Beethoven's "Eroica" SymphonyThrough September 25Seattle Symphony

Review of Border Songs @ Book-It Repertory Theatre by Chelsea D. With all the recent hullabaloo over the Mexican border, many Americans have forgotten our northernmost (and much less fussed over) Canadian border. However this border is what Brandon Vanderkool’s (the protagonist of Book-It theatre’s adaptation of Jim Lynch’s acclaimed novel, “Border Songs”) life revolves around. Brandon is different from any other person in northern Washington. Perhaps even in the United States. Brandon is a 6’8”, dyslexic, socially awkward bird-watcher who manages to channel his strangeness and love of nature into border patrol. However, the plot is far more unexpected than what we may think of the Canadian border. In a plot full of smuggling, drugs, and the FBI, “Border Songs” takes a storyline one may normally think boring and turns it into a thought-provoking (yet occasionally comedic and strangely romantic) play.