The Hidden Wonders of LAIKA’s "Hidden Worlds"

Review of Hidden Worlds: The Films of LAIKA at Museum of Pop Culture

Written by Teen Writer Raika Roy Choudhury and edited by Disha Cattamanchi

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MoPOP’s Hidden Worlds serves as a wonderful introduction to stop motion and other creative processes in the popular animation studio LAIKA’s films. LAIKA is an Oregon-based studio behind the famous films Coraline, ParaNorman, Kubo and the Two Strings, Missing Link, and BoxTrolls, all of which were nominated for Oscars and PGA Awards. Beyond their critical acclaim, LAIKA is also known for specializing in standalone films and bringing hand-curated artistry back into our increasingly digital media space. Their films are bold and distinctive whilst also aesthetic and thought-provoking, widening the appreciation for animation. It only makes sense for this accomplished studio to be celebrated with a museum exhibit.

Though it lures the viewer in with Coraline dolls, sets, and larger than life room decor such as ceiling spiderwebs and painted floors, the exhibit surprisingly starts with a video. Featuring the animators and producers behind Coraline, the video marks the beginning of its sub-exhibit, explaining the unique, groundbreaking stop-motion techniques used in the movie. Despite my short attention span, I found it truly interesting to learn who was behind one of the greatest animation films and what created its overall success. The video immediately connects the viewer to the exhibit once it's over. From the start, something about it feels off; the video was narrated by none other than the Other Mother, Coraline’s creepy, iconic, soul-sucking villain that sews buttons into the kids’ eyes. I loved this detail because it transitioned well into the physical space, the voice setting a noticeably eerie mood.

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"Metamorphoses": An Endless Battle for Justice

Review of Metamorphoses at Seattle Repertory Theatre

Written by Teen Writer Elle Vonada and edited by Audrey Gray

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Content warning: sexual assault

Before one’s eyes, actors morph into polarizing characters written by an ancient Roman author. Seattle Rep’s compelling performance of Metamorphoses brings Ovid’s stories into the 21st century, giving reason to why humanity has chosen to preserve his literature. The production’s impact is enhanced by expert stagecraft, made most powerful because of how the 2,000-year old fiction remains relevant to modern society. One would expect humanity to have evolved somewhat in the years since then, but this show reveals that the more things change, the more they remain the same.

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"A Thousand Splendid Suns" Shines at Seattle Opera

Review of A Thousand Splendid Suns at Seattle Opera

Written by Teen Writer Olivia Qi and edited by Esha Potharaju

Photo by Sunny Martini

Content warning: suicide, abuse

A pressing story of love during harsh times, A Thousand Splendid Suns is finally ready for its world premiere at Seattle Opera. The work, commissioned by Seattle Opera in 2015, is written by Seattle-born composer Sheila Silver and librettist Stephen Kitsakos. Based on Khaled Hosseini’s book of the same name, the opera is an epic tale set in Afghanistan from 1974 to 2001. Suns is unforgettably intense, a gripping story brought to life by heart-wrenching music.

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The Young Girl and the Sea

Review of Whale Rider at Seattle International Film Festival

Written by Teen Writer Lula Keteyian and edited by Audrey Gray

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Twenty-one years ago, Whale Rider, written and directed by Niki Caro, premiered at the Toronto Film Festival. It was met with critical acclaim, receiving an Indie Spirit Award and an Academy Award Best Actress nomination for Keisha Castle-Hughes, the 13-year-old star of the movie. It has become a cult favorite, though it is rarely screened.

I had the exciting opportunity to see Whale Rider in person at SIFF Cinema Uptown. It was a Wednesday night, and I wasn’t expecting a large audience. Surprisingly, when I entered the theater, I observed that many people had turned up. I quickly learned Whale Rider was this month’s pick of the SIFF Cinema Movie Club. After a brief introduction that explained this to non-members like myself, the lights went down, and an arresting tension filled the theater as the audience prepared to live the world of this film for the next ninety minutes.Film still from Whale Rider directed by Niki Caro

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Things Unseen Created by Those Unseen

Review of From the Ground Up: Black Architects and Designers at MOHAI

Written by Teen Writer Maitreyi Parakh and edited by Aamina Mughal

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Let's start from the vantage point of a bug. Imagine the sheer scale of everything never before acknowledged—the foundations of the environment around, where the very roots of the buildings around you are anchored. Even in this scenario, it is tempting to focus on the central character of the bug. However, after visiting From the Ground Up: Black Architects and Designers at the Museum of History and Industry, this perspective may be shifted into one that is not typically adopted. The exhibit asks, what parts of your surroundings have you brushed past in noticing? Who was integral to the existence of these surroundings?

As David Adjaye said, "Buildings are deeply emotive structures which form our psyche. People think they're just things they maneuver through, but the make-up of a person is influenced by the nature of spaces." The exhibit itself was presented overlooking Lake Union with the information laid out in placards, which lent an integrated feel to the exhibit—seemingly a conscious choice, as a note by the window asks the viewer to consider their own surroundings more thoughtfully. The pieces were varied but characteristic of the works typically found at MOHAI, though this exhibit was a bit more information-dense than others, which made fully understanding it a longer endeavor. There were rows designating specific architects and their contributions, as well as institutes that these architects contributed to, which organized information presented in a clear, chronological order. There was also an interactive element where children could create their own buildings, and several video stations within the exhibit. From the Group Up, photo courtesy of MOHAI

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"Seattle Asian American Film Festival": A Whirlwind of Feeling

Review of Seattle Asian American Film Festival at Northwest Film Forum

Written by Teen Writer Lily Fredericks and edited by Disha Cattamanchi

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Considering that on-screen parts for Asian American and Pacific Islanders (AAPI) account for less than six percent of speaking roles in Hollywood films, it feels disheartening that few film festivals attempt to remedy the lack of AAPI representation in the industry. As the first and only pan-Asian American film festival, the Seattle Asian American Film Festival (SAAFF) seeks to bridge the representation disparity by inviting AAPI filmmakers to share their stories with the Seattle arts community to celebrate their creations and gain well deserved recognition.

From incidental murder, to wistful reminiscence, SAAFF boasts a versatile selection with something for everyone to enjoy. The annual showcase includes feature films and shorts directed by a diverse lineup of creators with origins spanning the Asian diaspora. Each film spotlights the universal joys and sorrows that grace our lives, colored by the nuance of varied cultural experiences.

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ArtsWest’s “An Endless Shift”: The Engaging, Unfiltered Truth About the Pandemic

Review of An Endless Shift at ArtsWest

Written by Teen Writer Raika Roy Choudhury and edited by Kyle Gerstel

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An Endless Shift, a documentary theater production about nurses during the pandemic, is a powerful experience. The show is a collage of verbatim interviews conveyed by one performer—Gloria Alcalá—to introduce an often overlooked perspective on the impact of the pandemic. That nuance, combined with the coziness of ArtsWest’s theater, makes for an even more personal experience.

Even before the play starts, the theater space is impressive. The two-tiered stage is close to the seating area, the proximity creating familiarity between the audience and the production. There is blue ambient lighting, and fog lingering in the air. Props are minimal: five chairs are set up at slightly different angles spanning the stage, and a handful of banners accompany them.

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Teen Struggles and Lessons for Parents

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Liya Haile during an Arts Criticism workshop at Evergreen High School

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Parents may have a favorite child whom they consider to be “perfect,” which might make the other child feel unwanted or excluded. In the play, I Am Not Your Perfect Mexican Daughter, we see Julia, the main character in the book, feel this way after her older sister Olga died. Her parents see Olga as a model kid that loves spending time with her family, and helps her mom with household chores. Julia on the other hand was the opposite, always making trouble, likes being out with friends and is lazy. Julia feels imperfect compared to Olga. Her parents encourage her to be more like Olga than herself. Even though she likes doing good things such as writing, reading, and poems, they were not supportive. Later on Julia finds unexpected things in Olga's room, doubts her sister's sanity, and keeps figuring out more. The story continues with Julia discovering her sister’s true colors.

The play succeeds at using the lights, transitions, and sound effects. When doing transitions, the light was on the character so your attention goes to where they want you to see, and not the thing they get in and out of the stage with. There was a circle on the ground that spun which I thought was cool because it helps with getting the thing out and the characters don't have to move around a lot because the thing spins making it look like they are moving around.

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A Visual Work of Art

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Tammy Dao during an Arts Criticism workshop at Evergreen High School

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The theater adaptation of the book I Am Not Your Perfect Mexican Daughter is a great depiction of this novel written by Erika L. Sanchez. The book adaptation into the play takes the main elements and themes of the novel, such as family, untold secrets, and culture. Using those themes in the story and elevating it into a visual work of art for both those who already enjoyed the book and for those who haven't read it at all.

This play stays really accurate to the book starring the main character Julia Reyes living in Chicago alongside her parents and her recently dead older sister Olga. The story is set in Julia’s last few high school years featuring not only her school life, but her life within the city, and her home life with her immigrant parents.

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Excellent Adaptation from Page to Stage

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Hayley Ann Dacome during an Arts Criticism workshop at Evergreen High School

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When I first checked out I Am Not Your Perfect Mexican Daughter, I was sure it was going to be boring, as I thought it would have too many dreadful problems in the story for me to keep up with. As I kept reading, the story became intriguing to me. Every time I flipped a page, it was sometimes the funny dialogue between Julia and her best friend Lorena, or drama-filled suspense. As a person who has recently started her journey of reading more young adult novels, I’d usually finish a novel in a month and a half. I was so surprised by the fact that I was able to finish the book in two weeks, I guess this shows how interesting the book was for me to try read toward the end.

For the past month, our class has been reading a remarkable young adult novel by Erika Sanchez, about a Mexican teenage girl, Julia, who is dealing with the death of her older sister, Olga, and the heavy expectations her parents have given her to be the perfect daughter. Not only that, she feels a sense of mystery with her sister, that Olga wasn’t who her parents really thought she was. In this review, I will be reviewing the play of this very novel, and talk about why it’s worth a watch. To briefly give an overview of this play, the plot is basically almost exactly the same as the book. Now, I don’t want to give out spoilers, but even though I read the novel prior to watching this play, I was shocked at how the play had played out.

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A Brave Portrayal of Mental Health

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Krystalee Hernandez Olvera during an Arts Criticism workshop at Evergreen High School

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The play I Am Not Your Perfect Mexican Daughter is about Julia finding herself after being in the shadow of her sister Olga “the perfect Mexican daughter.” It shows her journey and curiosity after Olga’s death, learning more about herself, her culture, mental health, and the mystery her sister left behind.

The play successfully shows the audience Julia’s emotions. Just like in the book, the author lets us into Julia’s head allowing us to read all her thoughts, and she goes on her own journey. For example, throughout the play Julia constantly pauses in the moment and turns to the audience to share all the emotions she’s feeling. This helps the audience understand her and connect with the character. The lights and extra effects throw in more emotion through visuals, like the bubbles making it seem like she’s actually in water. This is shown when she felt like she was lost and drowning, the lights turned dark, the spotlight was on her showing how she was alone, all eyes on her. Her determination is demonstrated as she keeps on swimming and swimming without getting anywhere. Many people could relate to that moment when they seem to be struggling, this hooks the viewers in the more as they connect to the play. Music was important to reveal her mood as well. When she was feeling happy, all you could hear was upbeat music like a party.

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How I Was Convinced To See More Plays

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Gillian Benge during an Arts Criticism workshop at Evergreen High School

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As a high school student who doesn’t get out much, I have not seen many live stage plays. My most memorable experience with theater before seeing I Am Not Your Perfect Mexican Daughter was in a kindergarten choir where I played a sheep. Now, picture me and my friends walking into the Seattle Repertory Theatre, seeing the doors to the seating area and the stage behind it, and all we can see on a stage we expected to be empty is the actress for Olga lying prone in her raised coffin. I hadn’t even set my bags down yet, and immediately an impression had been made on me. I did not yet know it, but this play would end up easily being one of the best that I have personally seen up until this point.

The broad summary of I Am Not Your Perfect Mexican Daughter, both the book and play, is simple and small in scope. The eldest daughter of a family of four (now three) dies tragically, and the family must fall apart before being put back together the best they can over time. Upon looking past just the aspects of loss and grief, you can find themes of friendship, mental health, and internalized trauma from many key points in the play. Julia’s deep-rooted trust and search for comfort in Lorena during her low moments, the scene where Julia ends up cutting herself that manages to slowly break your heart before stopping it completely, and the revelations about Julia’s parents near the end of the play. With underlying notes of mystery surrounding Olga’s life, we end up exploring both her and Julia through the plotline of Julia’s impromptu investigation, and we end the play knowing Julia’s mind inside and out and Olga’s story from conception to demise. And, as a viewer, I truly enjoyed it.

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"Sámi Film Festival": An Exploration of the Sámi Female Experience

Review of Sámi Film Festival at National Nordic Museum

Written by Teen Writer Olivia Lee and edited by Esha Potharaju

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Content warning: sexual assault and death

The Sámi Film Festival is an exciting showcase of female focused films at the Seattle Nordic Museum. As this is TeenTix’s first act of new partnership with the Seattle Nordic Museum, this is a very special event! Honoring the work of Sámi female directors, the films reflect on difficult topics like sexual assault and violence against Indigenous women. Through an intriguing selection of nine documentary and fictional films, there is definitely something for everyone to enjoy at the Sámi Film Festival.

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"Body Language": The Skin Speaks In Tattoos

Review of Body Language at The Burke Museum

Written by Teen Writer Olivia Qi and edited by Disha Cattamanchi

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After centuries of suppression, the Indigenous American art of tattooing is resurging. Native people are increasingly getting traditional tattoos that empower and connect them to their heritage; the exhibit Body Language at the Burke Museum of Natural History and Culture spotlights this movement. Body Language: Reawakening Cultural Tattooing of the Northwest is guest-curated by Dion Kaszas, a Nlaka'pamux cultural tattoo practitioner. The exhibit features tattooers from the Tlingit, Nisga’a, Naida, Heiltsuk, and Nlaka’pamux tribes. It effectively, albeit repetitively, teaches the viewer about tattoo art’s resilience and practitioners through photos, artifacts, and plenty of wall text.

Body Language is laid out to teach the viewer of the history of Native tattooing, before focusing on its significance in the modern age. The exhibit’s first section is hardly about tattoos—it’s about boarding schools, crests, potlatches, myths, and labret piercings. Pairing physical artifacts with photos and text, the exhibit paints a picture of the culturally rich and socially complex lives of Native people on the Northwest coast.

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Seattle Rep’s New Play Es Perfecto

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Jasmine Torres Mayorquin during an Arts Criticism workshop at Evergreen High School

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I Am Not Your Perfect Mexican Daughter is an exceptional play. It showed angst, delight, and a roller coaster of emotions. Along with a beautiful set and a hand on the back with the stage crew.

I Am Not Your Perfect Mexican Daughter is a play put on by the Seattle Repertory Theatre, it puts you in the shoes of 15-year-old Julia Reyes, who is dealing with the death of her sister Olga and the pressure to be "the perfect Mexican daughter." A brilliant interpretation of a Mexican household and an emotionally strong play.

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A Raw, Latina Coming-of-Age Story

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Bervelyn Lopez Bernabe during an Arts Criticism workshop at Evergreen High School

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From drama and comedy to real-life issues. A rebellious daughter and an obedient one (or so it seemed). The beauty and sadness of it all. The play adaptation of the novel I Am Not Your Perfect Mexican Daughter by Erika L. Sanchez has it all and more. Brought to you by Seattle Repertory Theatre and playwright Issac Gomez, we explore the life of Julia Reyes, a Mexican American 15-year-old teen, as she navigates life after the tragic death of her older sister, Olga. Dealing with her grief, school, life at home, and more, she soon discovers that Olga might not be the perfect saint daughter we all thought she was. This magnificent, well-written play leaves the audience wanting more and at the edge of their seat with the actors, beautiful art, and wonderful portrayal of the story.

The play succeeded in making fans die of laughter, gasp from all the drama, and tear up with sadness. Actress Karen Rodriguez, who played the main character Julia Reyes, did absolutely amazing in portraying the emotional wreck and thought process of a normal 15-year-old Mexican American girl dealing with depression and anxiety. Throughout the play, Rodriguez never fails to stutter or forget her lines. She makes you feel empathy and sadness for Julia throughout the play and never once breaks character. She sure puts on a great show for the audience, making the audience in their seats feel the need to want to understand Julia as a character and person. Rodriguez has many lines and choreography to learn not only as the main character/narrator but in fact, performed flawlessly on stage. Sofía Raquel Sánchez, who plays Julia's older sister Olga, follows Julia in bits and pieces of the show, constantly showing up in the background of scenes. The rest of the main characters: Amá (Jazmín Corona), Apá (Eddie Martinez), Lorena (Leslie Sophia Pérez), and Juanga (Marco Antonio Tzunux) gave their raw emotions and effort to make this project truly come to life. At times, the show became so surreal that you forget you're even watching a play.

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I Am Not Your Perfect Play Critic

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Sherielyn Bannister during an Arts Criticism workshop at Evergreen High School

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How do you cope when your perfect sister gets hit by a semi truck? And what are you supposed to do when you find out about the double life she was living? How can you ever tell your parents that their perception of their perfect daughter was totally wrong and now you have to carry the burden of a secret that will eventually eat you up inside? And eventually have to navigate through life and plans that come with the hardships of being a young adult, who wants nothing more than to be independent and to live a lifelong dream of being a writer? The truth is no one knows except for Julia Reyes, from the book and play titled I Am Not Your Perfect Mexican Daughter by “Erika Sánchez”. Julia is a young person of color, which was something many people in the audience could relate to.

The story follows Julia after her older sister, Olga, passed away. Julia and everyone around her saw Olga as the perfect Mexican daughter, who was hardworking, pure of heart, and dutiful to her parents. That's what Julia thought until she found out Olga's secrets after snooping in her bedroom. The depiction of family and friend relationships and hardships were so realistic that it felt like people in the audience were watching real people go through real problems, the acting especially of Julia’s mother played by Jazmín Corona, struck the audience by capturing the strong emotions Julia's mother had to go through with Julia, Amá resonated with many people because of the accurate representation of many mothers everywhere. Another audience favorite was the friendship between Lorena and Juanga, played by Marco Antonio Tzunux and Leslie Sophia Pérez. Their friendship and how they showed they cared for each other and Julia was realistic and relatable, it enthralled the audience because it showed such a fun and dynamic friendship you can see young adults have, in one scene where they became friends after a compliment made by Juanga to Lorena because of her boots, which led to them finding out other interests they shared and becoming best friends.

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A Story of Self-Discovery as a Mexican American

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Ecna Aguilar-Santiago during an Arts Criticism workshop at Evergreen High School

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You walk into the theater and immediately are captivated. Your eyes are lured to a woman in her casket, front, and center stage. The lights beaming directly on her face, smirking.

Humor, tragedy, romance, family, friends, a heartwarming coming-of-age theater masterpiece written by Isaac Gomez based on the novel I Am Not Your Perfect Mexican Daughter by Erika L. Sanchez. The lighting, the simple props, the effects, the turntable, and the actors all come together to take you to Chicago and make you feel like you're living everything with them. Karen Rodriguez who plays the main character Julia Reyes does a mind-blowing, amazing job of portraying a bookworm Latina daughter dealing with a family loss. Issac Gomez’s play does a fantastic job of showing us the ups and downs of a teenage girl dealing with death, immigrant parents, mental health, and self-discovery.

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Perfectly Imperfect

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Nura Sherif during an Arts Criticism workshop at Evergreen High School

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The play production of I Am Not Your Perfect Mexican Daughter was spectacular, featuring exceptional actors and compelling storytelling. The story follows a Mexican American girl named Julia Reyes who had to shoulder the death of her sister, Olga, who died in an accident. This pushed her parents to expect Julia to be just as perfect of a Mexican daughter as Olga was when she was alive, as a way of coping with their grief. This story showcases the struggles of family expectations, and grief, and how they can impact your relationships with others. Although it’s an entertaining, beautiful production, fans of the book will feel a lack of character development and rushed plotlines in comparison to the book.

The play came alive with wonderfully used music such as trendy pop songs at the party scenes and Hispanic songs during family event scenes, such as the quinceanera. Music and sound effects punctuated transitions setting the scene and tone for every moment and discovery.

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The Rocky Odyssey of a Not-So-Average Teenager

Review of I Am Not Your Perfect Mexican Daughter at Seattle Repertory Theatre

Written by Kalkidan Gebregziabiher during an Arts Criticism workshop at Evergreen High School

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The struggles of a not-so-average teenager are crafted phenomenally in the I Am Not Your Perfect Mexican Daughter play. IANYPMD tells the story of 15-year-old Julia, who is a high school student in Chicago. Both of her parents immigrated to the United States from Mexico, making her a first-generation Mexican-American. She recently lost her older sister Olga, who was considered the “golden child.” Her parents adored her for how easy of a daughter she was to raise, unlike Julia. The play follows Julia’s school life, home life, and mental health struggles as she grows not only in age, but in maturity. Throughout this rocky odyssey, the play was able to effectively depict not only Julia, but how other teens with immigrant parents manage cultural differences within western society.

Julia’s relationship with her mom is noteworthy because it shows how the conflicts in their relationship stem from the different cultural environments they grew up in. Her mom did not support Julia having any interaction with boys, nor did she like the idea of her going far away for college. Instead, she wanted her to be just like her older sister, Olga, taking classes at their local community college and working a humble office job. Julia’s mom was raised in Mexico and suffered many traumas when crossing the border. Nevertheless, she worked as a housekeeper, cleaning rich people’s houses, to raise Julia and her sister. Julia, however, is set on creating a future for herself that is more than just being a slave to capitalism. She wants to travel the world and pursue a career as a writer. The play shows Julia’s inner thoughts through frequent asides, helping the audience to better comprehend the feelings Julia had about her mom’s aspirations and how they contrasted with her own hopes and dreams. The anger and betrayal Julia felt when her mom went through her things and disapproved of her journals were vividly characterized through her expressions.

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