Mark Haim’s Everlasting Creative Process

Interview with choreographer Mark Haim, presented by CHOP SHOP Dance Festival

Written by Wyoming Rios-Brennan during TeenTix’s Arts Journalism Intensive with CHOP SHOP


This year Chop Shop Contemporary Dance Festival is bringing a variety of talented choreographers. One of those creators is Mark Haim. Haim has resided in the Seattle region for about 17 years now, since he got a job offer at the University of Washington to be artist in residence with the dance department back in 2002. In the Seattle dance scene, he is well known for his work and unique creative process. Dance has been his outlet of expression and movement for 35 years. And in those 35 years, he has developed his own individualistic way of expression through the art of dance.

“That being said, I’ve been choreographing for 25 years before I got here so I already kind of had a way of choreographing and an idea of what my work was about.” Was Haim’s response when asked how living in Seattle affects his work.

Haim’s love of dance started when he realized how isolating playing piano was, after playing it since he was six years old. He was already someone who liked to move, so dance was the obvious next step due to its incorporation of movement and human connection.

Haim considers his creative process to be “illogical” and “scattered” so he has an appreciation of dancers who trust him and his process. He ensures that movement and expression are balanced in his work because he feels the utmost need for both.

When Haim reaches a block in his creative process, he takes it step by step. He always tries to keep moving forward by breaking the choreographic process down. And just trying to get something done and tricking himself into getting the task completed by making himself think he is getting it completed. He continues moving forward even when it is hard.

Haim stated that “all artists are queer in their own way.” He means that artists all go in their own artistic directions even if it goes against norms in this “capitalistic, commodity-driven society.” He wants to create works that are different—even if they are harder to sell or a struggle to create—because he believes that dance is constantly evolving. He wants art to be shared with the community and is something that helps people to bond.

You can see Mark Haim's work at CHOP SHOP Dance Festival’s online offering. The dance films are available on their website through March 31, 2021.

Lead photo credit: Mark Haim performs his solo Parts to a Sum, photo by Opal Patterson.

The TeenTix Press Corps promotes critical thinking, communication, and information literacy through criticism and journalism practice for teens. For more information about the Press Corps program see HERE.

This review was written as part of an Arts Journalism Intensive with CHOP SHOP Dance Festival which was held January 10-31, 2021. The workshop was taught by Press Corps teaching artist Gabrielle Kazuko Nomura Gainor.

This workshop was generously sponsored by Case van Rij and the Glenn Kawasaki Foundation.

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