TeenTix Blog Improv

Money may very well be the root of all evil, but at Antiques Improv Show by Jet City Improv, monetary value becomes the butt of an evening-spanning joke. If you’ve ever found yourself channel-surfing a TV without cable from the hours of 7 to 9 pm, then you’ve likely stumbled upon the incredibly mundane world of Antiques Roadshow. For those who haven’t been enlightened, the basic premise of the show is that local people bring in valuable, old, or innocuous items for appraisal by the traveling Antiques Roadshow experts, and the most valuable or interesting items get put into the show.

Similarly, in Antiques Improv Show, each audience member is encouraged to bring an item of their own for appraisal. Unlike the TV show, however, these items don’t need to be valuable, significant, or even antiques. Instead, it’s up to the “appraisers” (Taya K. Beattie, Glen Dodge, Matt Jurasek, Randy S. Miller, Austin Olson, Jenn Petti, Sam Riordan, and Emily Shuel) to give them value by creating lavish stories for the items. I brought a chess participation trophy I “won” 7 years ago, but after an initial appraisal, it turned out to be a relic from the knights of templar with connections to the holy grail.

As the great Calvin of Calvin and Hobbes once said, “It is now two days closer to the start of school than it was two days ago.”

We made that sentence its own paragraph, because the idea can stand alone as a bringer of pure, unadulterated panic.

Our generous friends at the Museum of Pop Culture (aka MoPOP) are offering a super discount for Mic Drop: Comedy Camp this July!

Mic Drop is a two-week long summer camp for high schoolers. Working with three local professional comedians, campers will learn the basics of improv, sketch comedy, and stand-up. In the second week of camp, they’ll prepare for a final showcase at Unexpected Productions Market Theater (another TeenTix Partner!) Campers will also learn about the business of comedy and how to navigate the professional side of being a comedian. The goal is to cultivate a safe environment where campers feel like they can take risks, count on each other, and have an awesome two weeks. MoPOP ultimately wants to help shape the local comedy landscape to be one where marginalized voices are amplified and lifted up.

My name is Spencer and what I’d like to do, is talk about Boom Bap with all of you! It’s my new favorite show at CSz if you wanna know, why read my review and see!

When you walk into Atlas Theater in Fremont, WA, the jokes start before the show does. Above their cash register is a dollar bill hanging on the wall with the caption “The First Dollar That CSz Seattle Ever Framed.” CSz Seattle, of course, refers to the Pacific Northwest’s iteration of what is a national league of competitive improv referred to as “Comedy Sportz”.

Wes Anderson, the filmmaker of notable movies like The Royal Tenenbaums and Moonrise Kingdom, inspired the team at Jet City Improv to design the show Yes Anderson—based off of a social media following of Anderson’s called “Accidentally Wes Anderson.” After hearing about the basis of this show, the questions that arose weren’t “How would Jet City Improv accomplish this?” or “What led them to attempt this challenge?” Rather, my initial thought was, “What is ‘Accidentally Wes Anderson’?” More commonly referred to as Accidental Anderson, as was revealed after a quick Google search, it’s a website where people post pictures of places that look like they could have been ripped straight out of an Anderson film.

Because I haven’t seen many of Wes Anderson’s works, I wondered if this show would prove applicable to an audience unfamiliar with the context, like myself. As the show began, I quickly realized it’s broadly relatable. From the beginning, the Anderson style wasn’t forced into the show and flowed well with the sudden, random changes in plot that improv provides.

A Christmas Carol, written by Charles Dickens, is an already well known holiday story that makes its way around as a Christmas classic. Many are familiar with the ghosts of Christmas past, present, and future, teaching viewers about the values of being a good person through some funny characters, and of course, holiday cheer. Yet when A Christmas Carol turns into improv and Scrooge is the head of a meditation school, the story we know so well becomes much funnier, and maybe even better than before. The special thing about A(n improvised) Christmas Carol is that the audience are the ones who create the story. A half hour before the show, one of the actors came out to ask a series of questions that would impact how the rest of the night went. The audience got to choose things like the quirks of each character, such as playing with other people’s hair when stressed. He asked who was returning to see the show again. I watched from my seat as loud cheers and applause erupted from the crowd. More than half of the room, which was full, raised their hands with excitement and chatter. There was also us newcomers, silent at first, who also raised our hands, still excited for what was next. I loved that the audience had people of all ages. This made it a friendlier experience, which I appreciated since this was my first improv show. A favorite suggestion of mine from the audience was making Tiny Tim sick from laser eye disease. Later on this was incorporated into the show when we saw Tiny Tim walk out with huge goggles on his face to protect his eyes from lasering others. Some other suggestions that made it into the show that night included Scrooge living under the stairs, the Ghost of Christmas Past being a teletubbie, Scrooge having a stash of hidden gold bars, and Scrooge licking Cratchit’s toes. The ability each actor has to add their own special touch to a character is remarkable, incorporating the tiny quirks mentioned by the audience and adding their own ideas as well, such as how Scrooge liked to slam doors or the Ghost of Christmas Past liked to repeat “Your mom is dead!” and “Scrooge is sad!” over and over again. Even my own suggestion, taping pictures of people’s faces to a door to evoke joy, was incorporated multiple times into the show. I loved that feeling of accomplishment when your suggestion made people laugh.

The Atlas Theatre, where ComedySportz performs, creates a quirky and fun atmosphere by placing paintings by local artists (one depicts Edward Scissorhands giving Chewbacca a haircut) and odd trinkets, such as a ventriloquist dummy that stares down at the audience, around the theater. These purposefully placed objects effectively add a unique vibe to the already unusual space.

The referee, who controls the game and gives out points, comes onto the stage to begin the game. The chairs in the back are already full and the murmur of soft conversation was serving as background noise long before I walked into the room. People are relaxed before the referee begins his introduction, and the easy mood of the room sets the tone of the evening.

If you’ve lived in Seattle long enough, at some point, you might have seen a poster for Twisted Flicks and wondered what Jet City Improv’s on-the-spot movie redubbing entails. The premise for the show is simple: an obscure black and white movie is played in its entirety while improv performers and musicians reimagine the dialogue and score. It’s been happening with a new film every month ever since the 1997 original, but, on October 25th, I saw the opening night performance of Ed Wood’s Bride of the Monster.

I immediately loved the mood of the venue from the moment I walked in. A large amount of attendees who seemed to be regulars were already seated and mingling with the cast, who were roaming the theater for suggestions. This atmosphere made the space feel like it hosted a community of people who cared about each other—comedians who love to perform and an audience eager to support them. Even with an established fan base, the environment was nothing but welcoming and not exclusionary in any capacity.

I'm not someone who's really into horror. It's just not something I grew up having, and nowadays, it seems to be rapidly dropping in quality. I’m also not someone who's really into improv. I've always liked the idea, but, as a newcomer, the thought of audience interaction always seemed too intimidating. So when I went to see Dark Fantastic, a horror improv show, I really had no idea what to expect. I only knew the show combined horror with improv, a primarily humour driven art, so it interested me quite a bit.

The theatre was small—49-max-occupants-small, to be specific—with sheets of cellophane covering brick walls, foreshadowing the gory fates that lay ahead. When the show started, the audience was asked two questions. First, “What is your biggest fear?” (to which someone replied, “A Roomba”), and, second, “What is an object you would find in your grandmother's house?” Answer? “ A Doily.”

Are you a high school student that loves comedy? Do you like to laugh, have fun, and make new friends? Join the ComedySportz High School League!

Hey, young aspiring improvisers: there are TWO really exciting and TOTALLY FREE opportunities coming up from Unexpected Productions, just for TeenTix Members!

If you love fun, laughing, and building skills in public speaking & self-confidence--this class is for you! Our longtime Arts Partner Unexpected Productions is very generously offering TeenTix members the opportunity to take Teen Improv 101: Dynamic YouthProv! for FREE.

Learn more about this class and apply now! Applications will be accepted on a first-come, first-served basis.