Pointed, sarcastic, political, trans, Left at London, the stage name of musician and comedian Nat Puff, is a leftover gem of the Tumblr generation, what happens when the formerly silenced of us get a platform and a little bravery. With little effort, she’s remained stuck in my head ever since I heard the fated words, “nobody asked for this and nobody wants this, but here’s 'Smells Like Teen Spirit' in a major key!” At the risk of sounding too much like a “kids these days be on the internet” kind of statement maker, Left at London, her music mixed with her brazenly political Twitter and effortlessly hilarious Tik Tok, has formed the perfect storm of persona.
Left at London’s KEXP concert represents a small and tender piece of the puzzle of her as a performer. Channeling the legacy of punk girls with sparse and biting lyric the likes of Le Tigre or Sleater-Kinney, Left at London is a force armed with a laptop and a guitarist. Dressed in a painted jumpsuit and glitter, Left at London is a reminder of all Seattle punk should be: loud, a little messy, political, and mostly, unapologetic.