Members-Only Offer: 300 FREE Tickets to Jingle All The Way!

​You can take up to three other folks with you to this holiday spectacular!

Jinglealltheway

In the mood for some holiday cheer? Our friends at Seattle Men's Chorus are offering THREE HUNDRED complimentary tickets to TeenTix Members for their concert, Jingle All The Way, on December 20th!

All you've gotta do is sign up below with the requested information to claim your FREE tickets to this event. Don't want to fill it out on our blog? Visit this link to directly fill out the form.

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Does Sophia Really Need Help? (하나님 도와주세요)

Review of "White Rabbit" at TWIST by Three Dollar Bill Cinema.

Written by Katherine K, during TeenTix’s arts criticism training workshop, the Fall 2018 Press Corps Intensive.

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"White Rabbit" centers around Sophia, a Korean American queer woman who immigrated to the US when she was seven and lives in Koreatown, Los Angeles. She is a performance artist who often speaks at significant places where Koreans and Korean Americans gather. As someone who lived in Koreantown, I recognized many of the locations where scenes of the movie were filmed such as the Koreatown Plaza, making use of authentic locations.

As a Korean American I was able to understand many of the cultural insights and I felt this special connection to the movie. I really enjoyed it. There were also parts of the movie that were in Korean. For every movie, there’s different levels of understanding and this is one of the reasons why I got to a deeper connection than other films I’ve seen.

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Setting the Stage for this Generation: 14/48:HS

Review of 14/48:HS

Written by TeenTix Press Corps Newsroom Writer Serafina Miller, and edited by Teen Editorial Staff Member Joshua Fernandes!

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The show 14/48:HS consisted of seven premier shows all written, produced, memorized, and performed in 24 hours, the next night they do it all again. All productions put on are by teenagers, and everything from the set design to the writing and even the band are all done in under 24 hours. I saw the first seven shows that the company was putting on throughout the weekend-long event and the drive and passion shown was astonishing.

The shows were created in teams and reached through several genres and topics. Some plays were comedies, such as “Finishing The Block” or the show “Spiral” which included a multitude of hilarious metaphors to describe the ridiculous plot of one of the characters not being able to stop spinning in circles. Others were mysterious or serious, such as “Onto the Carousel” that never quite gave an answer to the audience's questions about the story. The shows were focused on different topics and the writing style varied from writer to writer, but all shows had an element of comedy unique to each piece that enhanced the production such as situational irony or a hint of sarcasm in the dialogue. This was used quite often in an amusing play about twins called “Identical.” The plays also had a deeper hidden message, whether it was evident through the words and body language like the show “Deja Vu,” or hidden behind jokes and clever repartee. Two shows performed, “This Dance” and “Try This On For Size,” are brilliant examples of this doctrine; both began with a series of comical actions before coming to a profound ending that gave the show a strong moral philosophy. The writing of the shows was way above the standard for teenage writing, which further highlights the incredible dedication that the students participating have.

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Tattoo Fury Folk at the Fremont Abbey

Review of Pickle Boy, Brenda Xu, and Esmé Patterson at the Fremont Abbey Arts Center.

Written by Virginia W, during TeenTix's arts criticism training workshop, the Fall 2018 Press Corps Intensive.

Esme By Rachel Winslow

There is a reason teens don’t review grown up music, it makes us sleepy.

The church-like Fremont Abbey was beautiful on Friday, October 12, with its blue and green lighting and soft stained glass windows. Lighting was calming to watch the music. It was peaceful and so quiet.

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The Appeal of Esmé Patterson

Review of Pickle Boy, Brenda Xu, and Esmé Patterson at the Fremont Abbey Arts Center.

Written by Erin C, during TeenTix's arts criticism training workshop, the Fall 2018 Press Corps Intensive.

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As the flannel-clad audience slowly trickled into the Fremont Abbey Arts Center, it was immediately obvious what kind of show we were in for.

The concert-goers, mainly white couples over thirty who seem to have forgotten that most of us left being “hipster” in 2015, chatted under pretty string lights that zigzagged under the former church’s high ceilings. A lone pair of house speakers played indie rock, folk, and country music that gave further hints to the overall energy of the show to come.

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That’s a Wrap on the Fall Press Corps Intensive!

The 2018 Fall Press Corps Intensive was a five-week arts-going and criticism practice workshop that ran from October 10-November 19, 2018. Nine teens saw and wrote reviews of five art events at different TeenTix Arts Partners. The group was mentored by three professional critics who helped each teen hone their arts criticism skills. Stay tuned on the blog for reviews of each event!

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Dust off Your Sugarplums: The Nutcracker is Back!

​This holiday tradition can be yours for just $5.

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As all you old school TeenTixers know, Pacific Northwest Ballet's wildly popular Nutcracker ballet is the ONLY PNB show ALL YEAR that is NOT TeenTix eligible.

HOWEVER, because they love us so much, PNB always puts aside a little stash of TeenTix tickets for one day of Nutcracker each year. It is an AMAZING, annual tradition that draws teens from far and wide. YOU WON'T WANT TO MISS IT!!

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Creature Comedy at Jet City Improv

Review of Twisted Flicks at Jet City Improv.

Written by TeenTix Press Corps Writer Ben Capuano, and edited by Teen Editorial Staff Member Anya Shukla!

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If you’ve lived in Seattle long enough, at some point, you might have seen a poster for Twisted Flicks and wondered what Jet City Improv’s on-the-spot movie redubbing entails. The premise for the show is simple: an obscure black and white movie is played in its entirety while improv performers and musicians reimagine the dialogue and score. It’s been happening with a new film every month ever since the 1997 original, but, on October 25th, I saw the opening night performance of Ed Wood’s Bride of the Monster.

I immediately loved the mood of the venue from the moment I walked in. A large amount of attendees who seemed to be regulars were already seated and mingling with the cast, who were roaming the theater for suggestions. This atmosphere made the space feel like it hosted a community of people who cared about each other—comedians who love to perform and an audience eager to support them. Even with an established fan base, the environment was nothing but welcoming and not exclusionary in any capacity.

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Psychodrama and Spectacle Take the Stage in Night Parade

Review of Night Parade by Pork Filled Productions.

Written by TeenTix Press Corps Writer Jonah de Forest, and edited by Teen Editorial Staff Member Lily Williamson!

Moments of brilliance abound in Night Parade, the latest offering from Pork Filled Productions and REBATEnsemble, but the play suffers from a convoluted storyline. Though it stands out for its engaging stagecraft and costuming, Night Parade simply has too many ideas.

After arriving at an undisclosed location, the audience is ushered into a cramped lobby, where tea is served and Japanese music sets an ominous tone. Posters on the minimal wall space bear information pertaining to such Japanese folktales as the “Nine-Tailed Fox,” “The Tale of the Shutan Doji,” and the play’s primary inspiration, “The Night Parade of a Hundred Demons,” an ancient legend surrounding the procession of supernatural creatures. Viewers of this parade perish upon sight. Then, we are led into an immersive gallery space, displaying the works of tragic, deceased, and fictitious Japanese artist Shunkuno Arashi (an excellent Aimee Decker). The gallery is run by the tightly wound curator Herald Stass (Andrew Forrest), an exploitative art-hound with skeletons in his closet. He is accompanied by his assistant (Buddy Todd), who is tasked with the tiresome comic gag of handing out tiny pencils to the audience, and the mysterious Nurari (Season Qiu), a sharply dressed man who claims to have known Arashi.

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Election Day

The Press Corps November Editorial!

Written by Teen Editorial Staff members Anya Shukla and Lily Williamson.

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What do you think of when you hear the word “November”? Thanksgiving? Fall? Homework? Boredom? How about “midterms” or “politics”? For those lucky TeenTix members who are of voting age and ready to make their voices heard, the word “November” will probably inspire excitement and fear—the fate of the government is in their hands. The rest of us, however, will have to settle for seeing political and social justice-themed art.

From a guitar god who felt boxed in by racial stereotypes to an interactive piece about protests, from a talk about the Obamas to the legacy of Muhammad Ali, we’ve got a packed month ahead. We’ll be exploring political-themed events through all of November, so you can dive into politics even after the election.

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The Hair-Raising Tale of Sweeney Todd

Review of Sweeney Todd at Ludus Performing Arts. Written by TeenTix Press Corps Writer Annika Prom, and edited by Teen Editorial Staff Member Huma Ali!

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The night of October 19, it was especially dark with a touch of rain, and my plus-one invite canceled on me an hour before the performance. I felt cold, glum and ever-so-slightly heartbroken—it wasn’t hard to relate to Sweeney Todd and become emotionally invested in the show.

This morose feeling continued inside the theater where a suspended sign, made of burlap and decorated with the play’s title, rested in front of the stage curtains. A faceless announcer warned the audience to obey the rules, “or else you might end up in Sweeney’s chair.”

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The Turn of the Screw: A Visually and Mentally Haunting Experience

Review of The Turn of the Screw at Seattle Opera. Written by TeenTix Press Corps Writer Sumeya Block and edited by Teen Editorial Staff Member Hannah Schoettmer!
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Seattle Opera's newest opera, an adaptation of the book The Turn of The Screw by Henry James, will leave you forever haunted by the spirits that reside in the Bly mansion. In mere minutes, we are staring into a somber world cast by phantom-like blue walls. What was most memorable to me in The Turn of The Screw was the attention put into the set. When looking at the stage, it was the little things I noticed, like the blue plaid design of the governesses skirt, or the haunting lights that illuminated the children’s mischievous faces. Seeing these set details, created by scenic designer Robert Dahlstrom, lighting designer Connie Yun, and production designer Adam Larsent, communicated to me the thoughts put into helping tell each piece of the story.

The Turn of the Screw by Seattle Opera. Photo by Philip Newton.

The set transported us into the world of a traditionally spooky haunted house. What begins as a brick wall against a gray background transforms into a stately home and a dreary lake. This wall gives us a glimpse into the lives of the two haunted souls who reside in the Bly Manor. This is very central to the story because everything we see is from the governess's perspective. Some may even say the governess is mad, which can be interpreted from the dialogue in the book. In turn, this wall represents the governess's mind and shows that perhaps some things have not played out the way we, the audience, have interpreted them to be. All this is woven together by some great lighting, one wall, and a powerful projector. In these scenes, color is used in a very clever and mysterious way. In Act One, the set is washed in a mundane gray that evokes a feeling of normality, or the very cliche saying “same old, same old.” As the story progresses, the color theme changes to undertones of blue. The transition to these colors gradually overwhelms the longer the governess stays at Bly Manor and the more invested we are in the plot. At the climax, we first catch a glimpse of the ghost of Peter Quint. His set is bathed in dark blue, despite being outside, foreshadowing our meeting him and hinting that there may be more to what we see. Later on, we see a chair washed in purple light, a murky lake with hidden secrets, and two twin beds left in the kind of darkness that makes you want to wrap a blanket around yourself and cower. These color choices and themes allude to a feeling of mystery and suspense that excites us and suggests a ghostly encounter by using colors that are mysterious and dark to remind us something's not quite right. These undertones also appear in the carefully curated clothing each character wears. My favorite costume, designed by the costume designer Deborah Trout, is that of Miss Jessel, consisted of an eerie plum colored dress.

The Turn of the Screw by Seattle Opera. Photo by Philip Newton.

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Get FREE tickets to The Internet of Money!

Enjoy an evening of activism and crypto-currency comprehension for $0.

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Hey, members! You can attend Edmonds Center of the Arts next Saturday, November 10th for The Internet of Money at absolutely no cost! This event combines film, lecture, and an interactive discussion with bitcoin advocate Andreas M. Antonopoulos.

The first 15 teens to fill out this form will be admitted to the event for FREE! Simply write "TeenTix" when asked "Why should we sponsor your attendance?" We hope to see you there!

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SPECIAL DEAL: 2 for $10 on Turn of the Screw

​Catch the last weekend of performances at a special price for TeenTix Members!

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Get in the spooky mood with this dark, mysterious opera!

Our generous friends at Seattle Opera are offering a special deal for their current production of The Turn of the Screw: TeenTix Members can see this opera at the 2 for $10 price at either of the closing weekend performances:

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SPECIAL OFFER: 2 for $10 at A Thousand Splendid Suns!

​See the show with this special discount for the last week of its run.

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Have you seen A Thousand Splendid Suns yet? Don't miss this harrowing yet ultimately beautiful tale, all at a special price just for TeenTix Members.

Our incredibly fantastic friends at Seattle Repertory Theatre are generously offering a 2 for $10 ticket price for the following performances:

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The Teen Take on the Teeny Awards

Recap and review of the 2018 Teeny Awards. Written by Teen Editorial Staff Member Hannah Schoettmer.

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The Teeny Awards, an annual ceremony run by TeenTix to honor their partner organizations and art’s collision with teens in the Seattle community, is something of a mecca for the artistically inclined youth in the area. However, I’d never heard of the awards before I volunteered to write this piece. Reminiscing on my memories of past awards events, I expected a bowl of Ritz crackers, a seemingly bored keynote speaker, and a few merits that would be given for criteria that I wasn’t totally sure were met by the winners. I’d heard glowing praises of this event, though, so I entered with an open mind.

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SPECIAL EVENT: March For Our Lives @ Town Hall

​Don't miss the opportunity to add your voice to this national conversation!

At the beginning of this month, we celebrated teen superheroes at the 2018 Teeny Awards. Now it's your chance to meet some of them.

Join Town Hall this Sunday, October 21st for a special event featuring three of the young founders of March For Our Lives, a student-led demonstration in support of gun control. The event is 100% FREE for teens under age 18 and for students who can provide valid ID, and you can reserve your seat online right now by visiting this link!

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It’s Spooky Season!

The Press Corps October Editorial! Written by Teen Editorial Staff members Hannah Schoettmer and Huma Ali.

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There are two types of people: people who love fall, and people who LOVE fall. Here on the Teen Editorial Staff, we fall into the latter category. Besides the cooler weather, there’s all the trappings of fall, too. Here in Seattle, we have the whole gamut—fuzzy socks, pumpkin patches, cute picture spots, a torrential, neverending wall of rain—anything you could want! But here at TeenTix, it’s safe to say that Spooky Season is officially in full swing—and that’s why our October theme is all things eerie!

From murderous barbers, spooky films, to horror novelas, the month of October is packed full of scares. We hope to invoke thrill in our readers, and push them to check out these wonderfully eerie productions.

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Controversial Opinion: Country Music Isn’t Always Bad

Review of Radney Foster at Fremont Abbey Arts. Written by Teen Editorial Staff Member Hannah Schoettmer, and edited by Teen Editorial Staff Member Josh Fernandes!

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There’s a stigma against country music. Everyone has the same assumption—a twangy assortment of half-clothed women, guns, and an unusual, unnatural love for one’s truck set over a backdrop of rolling wheat fields and cattle herds. And those assumptions lead to changing the radio station at the first hint of mandolin—something I am guilty of too. And while there is certainly country music that fits that description, there’s a whole other side to the genre that is often ignored, set to sunsets over the open plains, a deep sense of family, and, often, a longing for something more. The evening’s acoustic set, headlined by Radney Foster, captured the longing of a quirky small town life, and how that deep sense of belonging, while comfortable and familiar, can sometimes be strangling.

The evening began with a set by Luke Martin, a long-haired man who reminded me vaguely of a wood elf. The stage was set as a living room, complete with an armchair and side table with a pitcher of water. He languished on a wooden stool and seemed very comfortable with the guitar in his hands. He sang of longing and of love, set to a masterfully finger-picked acoustic backdrop. His slight lean and big eyes only lended to the aura he cast, of desire and a fierce compassion. After all, as he sang, “it ain’t no use being alone, this I know."

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