TeenTix Blog Music

As I sat in the same bedroom where I do my homework, hang out with my online friends, and make my own music, I watched Frankie Cosmos lead singer and guitarist, Greta Kline, perform live from her home. Watching from my desk, I felt like we were in this together—not just in quarantine but in this beautiful, confusing mess that is life. I definitely would prefer to see her perform in person, with all the sound quality, lighting, and overall atmosphere that a live venue provides, but honestly, the music lends itself well to an Instagram live video made at home, too. The magic of Frankie Cosmos is not in the production, or in the instrumentation, or even the tune, though those are often enjoyable. It’s in the genuine emotion Frankie Cosmos conveys, and the feeling that the listener is getting a glimpse into her unfiltered life.

Kline’s voice is pretty in all of her work, but it isn’t loud or perfectly blended. Every once in a while it’s drowned out by the accompaniment, despite being the centerpiece of most songs. The rest of the band, Lauren Martin (keyboardist, vocalist, and synth player), Luke Pyenson (drummer and vocalist), and Alex Bailey (keyboardist and bassist) add more character to every piece, despite rarely having surprising technical ability or effects that blow me away. But Kline doesn’t need to belt, the mixing doesn’t have to sound perfect, and the backing band doesn’t need to shred their guitars or have mind-blowing solos.

This is the second installment of our “Keeping Cultured During Quarantine” series. Enjoy these recommendations from TeenTix Newsroom writers about how to fight the collective cabin fever! ALISON

I’m a big fan of Kanopy, the criminally underrated streaming service you can access for free with a library card. I recently watched The Way He Looks on the platform, a love story so good it made me giddy. It centers on Leo, a blind teenager with a passion for classical music, and his friendship-turned-romance with Gabriel, the new boy at his school who plays him Belle & Sebastian records. The gorgeous cinematography of São Paulo, the witty conversations, and the honest portrayal of disability are all reasons to watch this film. JOSH

Music is a language without discrimination, giving everyone an opportunity to interpret it on their own. During times of uncertainty, music can act as a binding agent between communities. As we experience quarantine in the Seattle area, Seattle Symphony continues to stream previously recorded broadcasts to bring people together during somber times like these. While I do admit that viewing a concert online does not deliver the same environment and social setting as viewing it live, I admire Seattle Symphony’s effort to share Antonín Dvořák's Symphony No. 8 with us.

The broadcast started with a small delay due to technical difficulties, but the rest of the show went smoothly. Five minutes into the livestream, there were over 1,500 people tuning in. I found this extremely inspiring. When I looked at the comment section, it struck me that there were people from all over the world centered around the same screen. Some were viewing the performance all the way from Tokyo and others were from the local Seattle area. Although this is not a typical concert venue, the live broadcast allowed a greater number and diversity of music enthusiasts to appreciate a performance from the comfort of their own homes. Additionally, the Seattle Symphony provided the virtual concert at no cost, making the experience more financially accessible than the live Benaroya Hall experience. After all, the various camera angles gave the online audience a 360-degree view of the performance at the grand concert hall.

Even though COVID-19 has kept us inside, there are still plenty of ways to stay involved with art while practicing good social distancing. From online exhibitions to performance archives, the Seattle arts scene is still alive and well, even under quarantine.

The coronavirus outbreak not frightening enough? Give Dark Matters at OntheBoards.tv a try—a spine chilling performance combining elements of contemporary dance and theatre. Directed by choreographer Crystal Pite, this performance will take you on a wild emotional journey from the comforts of your own home.

Just because COVID-19 cancelled many arts events, that doesn’t mean art stops! We here on the Teen Editorial Staff have been spending our quarantine keeping cultured with the plethora of great art we now have the pleasure of catching up on. From music, crafts, TV, movies, books, scrapbooks, knitting, and cosplaying, we all have our own way of taking advantage of this time. So if you’ve been sitting at home longing for the outdoors like the Disney prince/princess you are, read on for our recommendations on how to beat the collective cabin fever! OLIVIA:

I’ve been feeling extra nostalgic lately, so a lot of my time has been spent reminiscing about the good ol’ days (that is, before the plague hit). After all, I’m a senior in high school, and it won’t be long before my childhood ends, and the next chapter officially begins. So, I’ve spent a lot of my time at home reliving memories through various arts and crafts.

We all promise ourselves that the new year will bring a “new me,” but let’s all be honest and admit that the few people among us who still maintain resolutions have already forgotten about them by now. Who even designed the calendar system so that the year would start in the middle of winter? No, the true start of the year is now, with the beginning of Spring! It’s bright, it’s sunny, and we’ve got just the art to give you that fresh start we all need right now!

If you’re looking to shock yourself awake this Spring, there’s no better place to start than Rebecca Brewer’s Natural Horror at the Frye Art Museum. Toying with the psychological effect of the relationship between humans and the natural world, the pieces seem to come alive with their bold and flowing shapes evoking expressionistic painting through the medium of crafts.

WHO CAN PARTICIPATE?

Youth ages 16-19 with an established desire to pursue hip-hop and music as a career must apply online and meet all criteria in order to be considered. This year’s intensive will take place at MoPOP from July 27th - August 21st. Application deadline is June 1st.

One hundred years ago, the 19th amendment of the constitution was ratified, giving many Americans the right to the ballot box. But not everyone.

SWC rocks the vote with a timely and rousing concert that marks the centennial of this achievement and decries the continued struggle for free and fair voting rights for all people. Featuring “R.O.C.K. in the USA,” and The Beatles’ “Revolution,” plus a new commission, “Lifting as We Climb,” inspired by the words of suffragist Mary Church Terrell, charter member of the NAACP.

Shortly after doing my first comedy set at UW RETROs open mic I was fortunate enough to see a show that changed my conceptions of stand up comedy as a genre: Susan at On the Boards. The show was headed by stand-up comedian, trumpet-player, and composer Ahamefule (pronounced aha-may-foo-lay) J. Oluo (o-lu-o). He named the show after his mother. This show was deeply heartfelt and personal. In it Oluo recounts the complex relationship he had with his parents, how his mother dealt with the absence of his father, and how it shaped him as an adult. It was a great mix of music, storytelling, and stand up comedy. His goal with this show was to find a common understanding with the audience, because we all go through hardship in life. In an interview, Oluo said, “you make it more about [the audience] by making it more about you … because at the end of the day people are the same.”

The music was a vibrant composition of instrumental jazz and vocal performances. On stage alongside Oluo were Jerome Smith on the trombone and sousaphone, Jason Cressey also on the trombone, Skerik on the saxophone, Marina Christopher on the bass, D’Vonne Lewis on the drums, Marina Albero on the keyboard, and two vocalists: Okanamode, and Tiffany Wilson. While Oluo would take most of the stage time with his captivating storytelling, as he changed topics the music helped set the mood as the show went on. Susan at On the Boards. Photo by Haley Freedlund.

During their all-ages show at the Vera Project on August 22, musician Mal Blum declared that they weren’t getting into any fights on social media for the month. As they wrote on Twitter earlier that day, they instead opted to “focus on [their] all ages show in Seattle and the trans kids [they] get to meet every night IRL instead. No more tweet beef!!”

At Blum’s energetic and vulnerable show, the crowd was indeed full of trans kids, and Blum’s driving pop-punk guitar and shouted lyrics energized the audience. Blum’s stage presence is self-deprecating and charismatic, and their boyish low voice slides seamlessly into a clear upper register. They’re short with a confident center of gravity.

As the great Calvin of Calvin and Hobbes once said, “It is now two days closer to the start of school than it was two days ago.”

We made that sentence its own paragraph, because the idea can stand alone as a bringer of pure, unadulterated panic.

Hey TeenTix-ers: Scholarships are now available for Singing the Gospel, a masterclass from our friends at The 5th Avenue Theatre!

This energetic and uplifting vocal master class will explore the history and influence of gospel music in musical theater. In this two-part course, students will work with Seattle-based singer and actress, Shaunyce Omar, to examine how gospel music has influenced both musical theater and pop music; learn the power of ensemble singing; and discover how to adapt their own personal style to gospel singing. Join in for this fun and engaging class and get singing!

Whitney Mongé, an Alternative Soul artist originally from Spokane, got her start in the Seattle music scene in 2007. As a street musician, (busking in Pike Place Market), Mongé was enlightened as an artist. It was this time in Pike Place that spurred her into taking up music as her profession.

“I’m reclaiming the hell out of this space!” Rell Be Free’s shout echoed throughout the theater of the Vera Project, accented with dim blue and purple lights. A teenager with homegrown Seattle beginnings as a musician, Rell Be Free was one of the night’s featured musicians. These artists, youth who speak truth to power, prepared to make themselves heard through rap and spoken word performances at the Northwest Folklife Festival.

Through Creative Justice, youth are encouraged to share their stories using art as an alternative to completing traditional probation. Co-director Nikkita Oliver describes the program as offering opportunities to “liberate ourselves in a creative space.”

Join Seattle Men's Chorus for a summer matinee full of song and activism with this special offer!

TeenTix members can RSVP right now to claim up to 4 FREE tickets for themselves and other folks of any age using this form. Then, attend the show on June 22nd at 2 PM to get your retro tunes on!

Music, with all its genres, styles, and variations, often portrays a common understanding among listeners; so when paired with celestial visuals such as lasers, it becomes clear how one song can contain infinite meanings. Laser SZA, an ongoing laser light show at Seattle’s very own Laser Dome, offers the opportunity to discover these personal interpretations through a visual aid.

Set to Grammy-nominated artist SZA’s groundbreaking album Ctrl, this hour long show aims to redefine how one listens to, perceives, and internalizes music.

George Frideric Handel was born the same year as Bach: 1685. He was a German composer, though he travelled around all of Europe, and is most notorious for the oft-overused Hallelujah Chorus from The Messiah (see the opening of Face Off). While Handel’s innovations in composition were important, they are drastically overshadowed by the revolutionary achievements of Bach. Handel’s contribution to music came in a much more subtle, but equally radical fashion: he made music a business.

Handel found great success in Italian opera; in 1705 he debuted the instant hit Almira and his influence only grew. The problem with Italian opera, however, was that it was both expensive and exclusive. The costumes are elaborate and few opera-goers in his adopted homeland of England spoke Italian. To solve these problems, Handel renovated and popularized the Oratorio, essentially an unstaged opera. Instead of blocking, singers simply stand up when it is their cue. Featuring mostly liturgical plots, Oratorios became vastly popular because of their relatively low cost to perform and the fact that they are sung in English.

It’s the final stretch: only one more month until school ends! We on the Teen Editorial Staff are right there beside you, crossing off the days on the calendar. But with the end of school comes testing—every teen’s worst nightmare. At terrible, terrible times like these, we have to turn to our only source of happiness: procrastination. And we have a great lineup of art for you this month, guaranteed to help you forget about the mountains of homework you have waiting for you at home. To really change things up, we’ll be exploring the various types of art Seattle has to offer—music, visual arts—sans theater. That’s right. No theater. Crazy, right? That’s because May also means getting ready for Mother’s Day… AKA perfect gift time. What can you give someone who already has it all? Well, there’s nothing better than spending time together at a show: what other gift could give your mom the night of her life and show her how cultured you are? Luckily, we’ve got you covered with classics, guaranteed to appeal to your mother’s more…elevated artistic sensibilities. Shows like Handel’s Samson with Pacific MusicWorks, Cecilia Vicuña: About to Happen at The Henry, or Like A Hammer at SAM will be surefire parent-pleasers. And, if you want to get your mom pumped, try Laser SZA at the Laser Dome at Pacific Science Center. Best of all, you can give your mom the Mother’s Day she’s been dreaming about, all while pretending your schoolwork doesn’t exist. That’s what we call a win-win.

Lead photo credit: Mariya Georgieva on Unsplash.

Jason Johnson, is local a punk musician, in three bands: Dogbreth, Itemfinder and The Exquisites. Their music makes you feel as if you’re at a rock concert. It's very real with live instruments; you can really feel the melody. It’s violently emotive. Each song has its own story, whether it’s about love or just wanting to hang out with friends and watch anime.

When did you start playing music? And why?

Recently, we were able to sit down with Jason Clackley of the Vera Project, an all ages music venue that showcases up and coming artists. He is also a part of two bands, The Exquisites and Dreamdecay. He talked with us about The Vera Project, his experiences, and about the path of new and emerging artists.

Where are you from and how long have you been making music?