TeenTix Blog

Before I went to go watch the play Familiar with my school, I watched the movie Black Panther. Then, I went and watched Familiar and I had no clue what to expect. Danai Gurira, or General Okoye from Black Panther, wrote Familiar. I walked in the theater expecting a boring play, but I found a diamond in the rough.

The play has a little bit of a slow start, just some dialogue between a couple characters. The dialogue built the characters and through this I saw that this is not a cliché play. The play revolves around Tendi’s wedding, daughter of Donald and Marvelous, niece of Anne and Margaret, sister of Nyasha, and fiancé of Chris. Tendi, the eldest daughter of the Zimbabwean family, is getting married to a Caucasian man. The play takes place in the family house in Minnesota.

If you haven't seen Mac Beth yet, this weekend is your last chance! Check out this special offer for this updated version of the classic tragedy, featuring an all-youth female cast.

Our friends at Seattle Rep are very generously offering 2 for $10 ticket prices for both their Saturday and Sunday matinees: June 23rd and 24th at 2:00 PM.

In case you missed it, the TeenTix Press Corps is back in action! We’ve had a busy relaunch this spring—we held two Arts Criticism 101 workshops at Franklin High School and Cleveland High School, and held a 5-week intensive arts-writing course called Adventures in Contemporary American Culture. Read on for the full updates on each workshop! ARTS CRITICISM 101

Franklin High School Our workshop covered the basics of arts criticism for visual and performing arts. Teaching artist and visual arts critic Gayle Clemans led the class on a field trip to The Frye Art Museum where we reviewed the Tavares Strachan and Ko Kirk Yamahira exhibits. Melody Datz Hansen, a performance critic and teaching artist, taught us about the three most important questions in arts criticism. We watched some Hamilton clips, sampled Pina Bausch and the Royal Ballet, and wrote reviews of a film on OntheBoards.tv.

You can read Gayle’s writing for the Seattle Times HERE. You can read Melody’s writing for the Seattle Times HERE and for City Arts HERE.

Cleveland High School We hosted a discussion of the play Familiar at Seattle Rep with several classes at Cleveland. Hatlo—a theater artist, playwright, and Press Corps teaching artist—guided students through a critical discussion of the play and strategized ways to incorporate opinion and evaluation into reviews. Stay tuned on the blog for student reviews of Familiar coming soon!

You can learn more about Hatlo’s work HERE.

If you're interested in bringing the Arts Criticism 101 workshop to your school or group of teens, email Mariko, TeenTix Press Corps Manager: mariko@teentix.org.

ADVENTURES IN CONTEMPORARY AMERICAN CULTURE

This workshop was an intensive, crash course in arts criticism. Over five weeks, eight teens worked with three professional arts critics, to experience and write reviews of five different art events. Teens reviewed each art event they saw and then met to discuss the art, edit their reviews, and receive feedback on their writing from their peers and the teaching artists. Discussion topics included the four elements of criticism, critical inference, rhetoric, how to structure a review, and an in-depth look at the elements of each particular art form we experienced.

Over the course of five weeks we saw two theater and one dance performance at On the Boards, a film at the Langston Hughes African American Film Festival at Langston Hughes Performing Arts Institute, and the “Figuring History” exhibit at the Seattle Art Museum.

Huge thank yous to these awesome TeenTix Arts Partners for hosting the Press Corps! And many thanks to the teaching artists involved: Gayle Clemans (visual arts critic), Kathy Fennessy (film critic), and Omar Willey (performance critic).

Read the Press Corps’ reviews here:

Reviews of Patti & the Kid at On the Boards: Expect the Unexpected by Emily B. Carpets Are Unrolled. Nerf Guns Are Shot. by Anya S. La Vie de Magnifique du Charlie at Langston Hughes African American Film Festival La Vie Magnifique de Charlie, le Film Très Magnifique by Jessie B. Reviews of Black Bois at On the Boards Rarely Shown Complexities of Black Men by Jocelyn A. Individuality and Uniqueness by Mayyadah Z. “Figuring History” at SAM Strategically Highlighted in Glitter by Lily W. Forgotten Black Brilliance by Will S.

JACK & at On the Boards Confusing in All the Right Ways by Juneaux L. Stay tuned on the blog for updates about the next intensive workshop!

You can read Omar’s writing for the Seattle Star HERE. You can read Gayle’s writing for the Seattle Times HERE. You can read Kathy’s writing for The Stranger HERE.

A big thanks to the following organizations for their support of The TeenTix Press Corps!

If you love arts criticism and want to see this program soar—consider donating now to TeenTix or email us to discuss how your gift can make an impact on the Press Corps.

Hey, young aspiring improvisers: there are TWO really exciting and TOTALLY FREE opportunities coming up from Unexpected Productions, just for TeenTix Members!

Our INCREDIBLY generous friends at Seattle Public Theater are offering up to 65 FREE scholarships to TeenTix Members this summer! <3

You'll be able to explore the world through dialects, sharpen your stage combat skills, or dive deeper into Broadway's smash hit Hamilton. See the full offerings and sign up below using this form--now, go forth and MAKE ART!

Hey, aspiring actors!

Our friends at Seattle Shakespeare Company wanted us to tell you that they're offering a ~special~ discount for their Audition Prep Camp from July 30 - August 3, from 1 - 4 PM, for students 9th grade and above. To register for this class, go here and simply use the code AUDITION30 for $30 off enrollment now through next Friday, June 15th!

Going into a performance or art display of any kind without given any sort of information about the performance beforehand is certainly a curious and exciting experience. Going in to see JACK &, this fact didn't change. I found the steadiness of the fish in the bowl theme to be quite intriguing, given the fact that, in hindsight, I believe it represented much more than what it originally seemed to.

The beginning set up of the show is a blue and turquoise mandala in the center of the stage; on its outskirts, a fishbowl and some cans of Crush soda sit on a stool. Green racks stand to the right side of the stage. On the left sits a computer and speakers on a table, and behind that is a circular tarp.

I’m skeptical about art exhibits, I enjoy them enough, but find trouble in writing reviews for them. The art of painting has never been a breathtaking experience for me, in creating or viewing, and so when visiting paintings I find that my perspectives can be more negative and unappealing than most. But with "Figuring History," I was surprised—it felt new and different. The exhibit features three different artists, who all portray black America and forgotten black figures.

George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975, Robert Colescott

“Figuring History,” - a powerful new exhibition at the Seattle Art Museum- insists on representation for the underrepresented. “Figuring History” features the cross-generational work of three artists—Robert Colescott, Kerry James Marshall, and Mickalene Thomas—whose paintings highlight the ways in which people of color have been traditionally left out of art and history. This exhibition changes the subject of the rich history of painting, and tells the stories of people of color from their own perspectives. This, combined with the exuberance of each artist’s work, makes this exhibition a must-see.

The exhibit begins with the paintings of Robert Colescott (1925-2009), who invokes a dream-like quality through warped figures that meld into each other in large mural-like paintings where you don’t quite know where to look. His work highlights people of color in history who many have never heard of, often juxtaposing these little known but important figures with less noble caricatures of black people. One of the first paintings in the exhibition, “Knowledge of the Past is the Key to the Future: Matthew Henson and the Quest for the North Pole,” depicts Matthew Henson, a black man who played a major role in the first team of explorers who reached the North Pole in 1906. This painting, and others in the series, highlight the lack of knowledge about the vital role people of color have played in history, and points out how detrimental that is to today's youth of color who don’t see themselves represented positively in history or popular culture.

Souvenir I, 1997, by Kerry James Marshall

This performance was very moving for me because the social issues that were brought up are happening in our world right now. I loved that throughout the piece the dancers got a chance to scream as loud as they could and let out all their anger from the injustices they experience everyday of their lives. I have not experienced the prejudice these people have, but I know how terribly they have been treated and how unfair it is that just because of the color of their skin they are treated differently.

Throughout the piece the dancers also shared stories of those who have died from not just police brutality but also from suicide. They also shed light on much less mentioned stories such as those of black trans men and women who have died that aren’t in the news as much. The whole show was supporting individuality and uniqueness which was so amazing to see. In today’s society we are taught that a certain body type or sexuality is ideal, but there isn’t an ideal person in my opinion. Everyone should appreciate and celebrate their differences, rather than putting down themselves and others because of them.

Heading into the dimly lit theater that is On the Boards to see Dani Tirrell’s Black Bois, I was met with soft blue lights, a talkative audience, and 90’s hip hop. But even with this, I could not anticipate how poignant this performance would be. Reducing Black Bois, to just “a dance piece” would be embarrassingly unjust. It is a brilliant and moving work of art, that transcends labeling it into one genre. Black Bois tells the story of how black bodies are treated, and how they reconcile and express a range of emotions.

Taking in the stage, Tirrell has arranged it in a way for the audience to always have something to look at; my eyes could roam left to right ending on the table and chairs adorned with candles. Bringing together poetry written by J Mase III and original live music written by Benjamin Hunter, Tirrell assembled an ear-catching team to compliment his choreography and the visual works of Roache the Muralist.

La Vie Magnifique de Charlie premiered in Seattle at the Langston Hughes African American Film Festival on April 20. A short film by Sewra G. Kidane, titled Proclamation Punctuation, showed before the feature film.

Official Gifs for Gee Spot Cine fashion film Proclamation Punctuation ... an homage to the exclamation point!! www.ProclamationPunctuation.com

A bright, gray light illuminates the stage, which is empty except for a tired, sagging tree; two rock-like structures made of carpet; and orange cords hanging from the ceiling. The audience, hushed, waits for thirty seconds. The stage is still. Fifteen seconds more. Nothing. People start rustling in their seats. Another fifteen seconds, and an alarm clock starts blaring. Carpets are unrolled. Nerf guns are shot. Patti & The Kid has begun. For the first half of the play, uncomfortable silence seems to be the norm. In their post-Apocalyptic world, Patti and Kid never speak; rather, the only soundtrack is the blaring of a CD player, which accompanies the two characters as they Jazzercise, eat carrots, and make coffee—completely normal activities, which perfectly juxtapose with the strangeness of the situation. Patti and Kid are wary of the area outside their carpets, and only leave their spaces when standing on a small rolling carpet square and pushing themselves around with a broom. The only technology onstage is old—the clunky CD player, the coffee maker, the alarm clock—yet clearly integral to these characters’ lives.

One starts to believe the silence is some sort of side effect from the Apocalypse. But then Tammy—the antithesis of Patti and Kid, a little girl who seems to have no problem with this new, post-Apocalyptic world—arrives with her feet firmly planted on the ground. She breaks both the fourth wall,addressing the audience directly,and whatever spell has kept Patti and Kid from speaking. While the two characters’ actions originally have the tired, monotonous air of repetition, their silence shows they have performed their morning routine so many times that no words are needed; with the entrance of Tammy, Patti and Kid move into uncharted territory, and discuss previously buried parts of their lives through cathartic monologues.

How do you expect a play to begin?

With an almost deserted stage which remains still and silent for an uncomfortably long period? A stage which, even when filled with movement, will be devoid of voice for a large portion of the play?

Not just one, but TWO of our beloved Arts Partners are hosting Teen Nights at the SAME TIME on Saturday, May 19th. See what's on and make your choice this weekend!

TEENTIX MEMBERS: Tell us how we can make TeenTix better, describe your arts-going habits, and make your voice HEARD when you fill out our 2018 TeenTix Member Survey! It takes about 15-20 minutes to complete, and we hope you'll take the time to add your feedback.

Each TeenTix member (aged 13 - 19) that fills out the survey is entered to win a ~grand prize~ of FREE tickets to each of the following: ACT Theatre, The Wing Luke Museum, NW African American Museum, ComedySportz Seattle, and the Space Needle. Just fill out your information at the end of the survey so we can contact you if you win!

A post GiveBIG love letter to the TeenTix community:

It's ANOTHER GiveBIG SUPERSTAR highlight: Thomas Van Doren!

What’s a TeenTix GiveBIG SUPERSTAR? A SUPERSTAR is a devoted TeenTix supporter who can't get enough of the crazy GiveBIG energy. Every GiveBIG SUPERSTAR exceeds our exceptations year after year. Thomas is not only a TeenTix Board member and a lead volunteer helping us with our Teens Count project - he's also given to GiveBIG for the last 2 years.

As GiveBIG 2018 draws nigh, we’re so excited to highlight a very special GiveBIG SUPERSTAR: Erica Hudson-Gomez!

What’s a TeenTix GiveBIG SUPERSTAR? A SUPERSTAR is a devoted TeenTix supporter. We often suspect that these humans have actual superpowers. Erica is no exception, having served on TeenTix’s Advisory Council since 2016, helping TeenTix do important work for Teens Count!

Are you passionate about youth arts access? Do you organize artsy outings with your friends? Are you in the know about Seattle's arts scene and want to explore even more? This application is FOR YOU.

The New Guard: Teen Arts Leadership Society is formally an arts leadership training program, but really this group is the heart and soul of TeenTix. New Guardians play a central role in guiding the development of TeenTix programs and events, identify organizational values and serve as the primary teen ambassadors for TeenTix.