“Shut your eyes….”, played repeatedly and the beep, beep, beep, of the sound effects rippled through the theater as the audience watched the fluid dancers take up the stage. Kyle Abraham and his company Abraham In Motion (A.I.M.) presented four pieces on stage at the Moore Theatre this March. They were all beautiful pieces, but there was one piece in particular that stood out along with a specific part of another.
In Abraham’s fourth piece, “Drive”, the music seemed to get louder and louder as fog filtered onto the stage. The dimmed lights were on the dancers as they pulsated in synch, the rhythm of the music pounding along. The feeling of desperation, and the intense need to convey something filled the air as the dynamic dancers unhesitatingly continued to flow and sway. They were swift and unstoppable in their need to get the audience to understand. An ominous feeling filled the theater, yet eyes remain locked on stage. This feeling was amplified after the previous message commemorating any black man who reached age twenty-one from the piece “Meditation: A Silent Prayer.” As the lights dimmed further and the curtains went down, the audience stood for an ovation.