TeenTix Blog by TeenTix

Our friends at Three Dollar Bill Cinema know that there's nothing better than settling down with a bag of popcorn and a movie--which is why they're not only offering FREE outdoor movies this year, but a ~special deal~ on popcorn for TeenTix Members!

That's right, TeenTix Members can get FREE popcorn when they show their TeenTix Pass at the concession stand!

One of our favorite events of the year is THIS WEEKEND--join us for Seattle Art Fair from August 2 - 5. Stop by and enjoy more than 100 local, national and international galleries alongside the vibrant arts community of the Pacific Northwest!

Speedy Graphito, The Dream of Roy, 2017

We're stoked to offer our teen members exclusive access to $5 TeenTix tickets per day, in addition to a 20% discount on all ticket types for adults. Click here to purchase tickets online, or use your TeenTix Pass at the door!

TeenTix has been hard at work revitalizing the Press Corps program, and we've got some SUPER EXCITING NEWS: we're now announcing the launch of the TeenTix Press Corps' Teen Editorial Staff program!

The Teen Editorial Staff is a group of 5 teens who will run the review portion of the TeenTix blog. These Staff members will edit and curate the content of the blog and decide which art events are covered. This is your chance to shape the TeenTix blog and make it relevant for teens like you! What's the most exciting part of this new addition? Editorial Staff will have the opportunity to receive a stipend of up to $50/month based on their full communication and participation within the program. SCHEDULE (please read carefully!)

The battle cry “Us versus them,”and the brutal labeling accompanying it, is all too familiar today. One might not expect a seemingly simple historical fiction musical to offer a relevant response, yet Taproot Theatre’s Sweet Land does just that with touching, convicting, and joyful power. Sweet Land tells the story of a young German woman, Inge Altenburg, who travels to Minnesota to marry a man she’s never met, Norwegian Olaf Torvik. But with World War I a recent and painful memory, Olaf’s community condemns the match, delaying the marriage. The events of this waiting period–the challenges faced, relationships built, and lives changed—are the heart of the musical’s story.

Molli Corcoran and Tyler Todd Kimmel in Sweet Land, the Musical at Taproot Theatre. Photo by Erik Stuhaug.

The piece is a tour de force for Molli Corcoran (Inge) and Tyler Todd Kimmel (Olaf), who carry the story with moving, grounded brilliance. Corcoran’s vocal versatility and acting ability are immediately evident in her introductory song, which clearly establishes both her talent and Inge’s character (kudos to composer Dina Maccabee and lyricist Laurie Flanigan Hegge for the soaring work of storytelling that is the score). The tough, loving, courageous “mail-order bride” Inge is unafraid to be the voice of reason and to act in defiance of “what people will think.” Her “strength, power, and grace” are some of the first things to strike her fiancé. Olaf is a man of few words—yet Kimmel skillfully creates the character through his striking physicality and presence. Long before he has spoken, the audience knows Olaf well, and, in moments when the stage is full of movement and sound, it is the still, shy farmer who draws the audience’s eye. While waiting for the outside approval the community requires before allowing their marriage, Inge and Olaf come to understand and love one another. Their blossoming relationship—conveyed as much through wordless glances and softening physicality as through words—is a joy to watch. Brownie and Alvin Frandsen (played by April Poland and Chris Shea, respectively) offer contrasting and complementary enthusiasm, loquaciousness, and levity as they alone support—and are ultimately supported alone by—Inge and Olaf. Notable among the many less supportive members of the community (played by a small but versatile ensemble) is Hugh Hastings as Pastor Sorensen, the minister who refuses to marry Inge and Olaf and who plays a large role in turning the community against the couple. Hastings and the writers of the musical’s book, Perring Post and Laurie Flanigan Hegge,make this character (who could easily become the stereotypical uber-conservative villain) refreshingly believable, complex, and ultimately redeemable.

Mickalene Thomas’s most recent exhibition, MUSE: Mickalene Thomas Photographs at the Henry Museum and tête-à-tête is a reminder of the importance of community in the process of creating and experiencing art. The collection features Thomas’s photography and film—both lesser known aspects of her artistic repertoire, but ones that deserve just as much appreciation as the imposing rhinestone-studded paintings she’s best known for. The exhibit, based on a book of the same title released in 2015, is embellished with a tête-à-tête of works curated by Thomas of artists she knows and takes inspiration from, including the work of Derrick Adams, John Edmonds, and Carrie Mae Weems among others.

Derrick Adams. Crossroads. 2012. Courtesy of the artist.

Our friends at Seattle Public Theater have been doing THE MOST this year to make sure TeenTix Members have plenty of theatrical outlets, but this time they're joined by Community Partner Foundry10, offering two free mentorships on the design side!

There are 16 spots total in these ~Summer Mentorships~ in both Costume Design and Scenic Painting and Design. If you love learning how the process of costuming works OR how sets get designed, put together, and painted, this is for YOU. The behind-the-scenes theatrical world is here for the taking! To apply, please fill out the form below:

Our ~super generous~ friends at Seattle International Film Festival are offering TeenTix Members TWO HUNDRED (200) complimentary tickets for their screening of the film Eighth Grade next Thursday, July 19 @ 7:00 PM!

The film weeds through the minefield that is modern adolescence through the view of Kayla, a thoughtful 13-year-old girl on the precipice of completing junior high. A social media life coach of sorts, Kayla produces YouTube videos to her imaginary subscribers about self-love and confidence, yet can't quite put these into practice in her own life. Eighth Grade was written and directed by YouTube musical comedy heartthrob Bo Burnham, who you also might recognize from his two Netflix specials! Peep the trailer right here:

Hedwig and the Angry Inch is not your typical Broadway musical. Instead of chorus lines and tap numbers, the show features an onstage band and 90 minutes of punk rock. On top of that, the characters are eclectic. There’s Hedwig (played by Nicholas Japaul Bernard), who struggles to come to terms with her identity after a botched sex-change operation (although she is genderqueer, she uses she/her pronouns); Yitzhak (played by Dani Hobbs), Hedwig’s husband, whom she hates; and the unseen Tommy Gnosis, a rock star and Hedwig’s ex-lover, who abandoned her after learning that she was not technically a woman. Through these characters, their relationships, and dramatic, powerful songs, the show presents its central message: that one must embrace change and the unknown.

Throughout the show, Hedwig seems fixated on the past and present, instead of looking to the future, something that was mirrored in the staging. Because we normally read from left to right, stage left (from the audience’s perspective) is reminiscent of the past, while stage right symbolizes the future. During the show, Hedwig tended to stay stage left/center, displaying her obsession with her life before the operation and her relationship with Tommy, as well as her inability to focus on her current self and what’s to come. On the other hand, Yitzhak, who sits stage right, essentially becomes the show’s future—at the end of the show, they sing alone while Hedwig leaves the stage.

Powerful. That's the first word that comes to mind when talking about Familiar, a play written by Danai Gurira, a well-known African American actress. This play is a masterpiece that everyone should see at least once. Drama is one of the oldest forms of entertainment, and, as humans, we love drama. This makes the play a hit for the audience as it is packed with the twists and turns that make a great family drama. Gurira draws from her own heritage for this play as it brings up many topics like culture, Zimbabwe, identity, and of course, family.

This play revolves around an African family from Zimbabwe and the conflicts they go through about race and identity. The family consists of two sisters, Tendi, the eldest, and Nyasha, the youngest; the parents, Marvelous and Donald; and two aunts, Margaret and Anne. When Tendi decides to get married to a white guy named Chris, most of the family has their own opinions, and her sister, who is afraid Tendi will lose her heritage, has the strongest opinion. The play progresses as more family shows up and causes more havoc in the small American-style house. The plot thicken as the story of this American Zimbabwean family unfolds.

Before seeing Danai Gurira’s Familiar performed at the Seattle Rep Theatre I was doubtful that I would be able to relate to an immigrant family from Zimbabwe. I even questioned if I would enjoy going. Though after the school trip and the one hour and 50 minutes of the play, I was surprised to find that it was indeed relatable and quite humorous. Despite my preconception, I really enjoyed watching the play, could even say I loved it. As I walked into the Seattle Rep Theater I was easily impressed by the set design, it was a great first look at Taibi Magar’s interpretation on this modern-day play. The play begins in the family home of Zimbabwean refugees in Minnesota. I would say that I am not a big fan of one-set plays, but the actors like Michael Wieser, who played Brad, did a phenomenal job at bringing spunk to the show. While Familiar itself was extraordinary, exploding with fun-filled scenes, the ending of act one will continue to be one that I will remember. This is a must-see play due to scenes like this one. In an act of heroism, Brad, played by Michael Wieser, saved Nyasha’s (Aishe Keita) life at the end of Act 1. This scene played a big role in the way we and other characters in the show see Brad as more than just a white male. After watching this play I would say I wasn’t all that happy with the one-set play, and the non-stop arguing, although I would say that I loved seeing a character like Nyasha struggling to understand her culture. Many children identify as the first generation, and it hard to understand your culture when you are so far away from it. Many kids like myself become very stressed while thinking about this topic, but after seeing a character like Nyasha, it made me feel a lot better about my curiosity. At the end of the day, this play is a must see! It’s amazing set, phenomenal acting, and wonderful lessons will have you walking away with an experience like no other. Every person who struggles with finding who you are, and where you come from should see this play in all its glory. This is purely a piece of art that should be praised, but don’t let me shape your opinions, get up and see for yourself.

The TeenTix Press Corps promotes critical thinking, communication, and information literacy through criticism and journalism practice for teens. For more information about the Press Corps program see HERE.

Before I went to go watch the play Familiar with my school, I watched the movie Black Panther. Then, I went and watched Familiar and I had no clue what to expect. Danai Gurira, or General Okoye from Black Panther, wrote Familiar. I walked in the theater expecting a boring play, but I found a diamond in the rough.

The play has a little bit of a slow start, just some dialogue between a couple characters. The dialogue built the characters and through this I saw that this is not a cliché play. The play revolves around Tendi’s wedding, daughter of Donald and Marvelous, niece of Anne and Margaret, sister of Nyasha, and fiancé of Chris. Tendi, the eldest daughter of the Zimbabwean family, is getting married to a Caucasian man. The play takes place in the family house in Minnesota.

If you haven't seen Mac Beth yet, this weekend is your last chance! Check out this special offer for this updated version of the classic tragedy, featuring an all-youth female cast.

Our friends at Seattle Rep are very generously offering 2 for $10 ticket prices for both their Saturday and Sunday matinees: June 23rd and 24th at 2:00 PM.

In case you missed it, the TeenTix Press Corps is back in action! We’ve had a busy relaunch this spring—we held two Arts Criticism 101 workshops at Franklin High School and Cleveland High School, and held a 5-week intensive arts-writing course called Adventures in Contemporary American Culture. Read on for the full updates on each workshop! ARTS CRITICISM 101

Franklin High School Our workshop covered the basics of arts criticism for visual and performing arts. Teaching artist and visual arts critic Gayle Clemans led the class on a field trip to The Frye Art Museum where we reviewed the Tavares Strachan and Ko Kirk Yamahira exhibits. Melody Datz Hansen, a performance critic and teaching artist, taught us about the three most important questions in arts criticism. We watched some Hamilton clips, sampled Pina Bausch and the Royal Ballet, and wrote reviews of a film on OntheBoards.tv.

You can read Gayle’s writing for the Seattle Times HERE. You can read Melody’s writing for the Seattle Times HERE and for City Arts HERE.

Cleveland High School We hosted a discussion of the play Familiar at Seattle Rep with several classes at Cleveland. Hatlo—a theater artist, playwright, and Press Corps teaching artist—guided students through a critical discussion of the play and strategized ways to incorporate opinion and evaluation into reviews. Stay tuned on the blog for student reviews of Familiar coming soon!

You can learn more about Hatlo’s work HERE.

If you're interested in bringing the Arts Criticism 101 workshop to your school or group of teens, email Mariko, TeenTix Press Corps Manager: mariko@teentix.org.

ADVENTURES IN CONTEMPORARY AMERICAN CULTURE

This workshop was an intensive, crash course in arts criticism. Over five weeks, eight teens worked with three professional arts critics, to experience and write reviews of five different art events. Teens reviewed each art event they saw and then met to discuss the art, edit their reviews, and receive feedback on their writing from their peers and the teaching artists. Discussion topics included the four elements of criticism, critical inference, rhetoric, how to structure a review, and an in-depth look at the elements of each particular art form we experienced.

Over the course of five weeks we saw two theater and one dance performance at On the Boards, a film at the Langston Hughes African American Film Festival at Langston Hughes Performing Arts Institute, and the “Figuring History” exhibit at the Seattle Art Museum.

Huge thank yous to these awesome TeenTix Arts Partners for hosting the Press Corps! And many thanks to the teaching artists involved: Gayle Clemans (visual arts critic), Kathy Fennessy (film critic), and Omar Willey (performance critic).

Read the Press Corps’ reviews here:

Reviews of Patti & the Kid at On the Boards: Expect the Unexpected by Emily B. Carpets Are Unrolled. Nerf Guns Are Shot. by Anya S. La Vie de Magnifique du Charlie at Langston Hughes African American Film Festival La Vie Magnifique de Charlie, le Film Très Magnifique by Jessie B. Reviews of Black Bois at On the Boards Rarely Shown Complexities of Black Men by Jocelyn A. Individuality and Uniqueness by Mayyadah Z. “Figuring History” at SAM Strategically Highlighted in Glitter by Lily W. Forgotten Black Brilliance by Will S.

JACK & at On the Boards Confusing in All the Right Ways by Juneaux L. Stay tuned on the blog for updates about the next intensive workshop!

You can read Omar’s writing for the Seattle Star HERE. You can read Gayle’s writing for the Seattle Times HERE. You can read Kathy’s writing for The Stranger HERE.

A big thanks to the following organizations for their support of The TeenTix Press Corps!

If you love arts criticism and want to see this program soar—consider donating now to TeenTix or email us to discuss how your gift can make an impact on the Press Corps.

Hey, young aspiring improvisers: there are TWO really exciting and TOTALLY FREE opportunities coming up from Unexpected Productions, just for TeenTix Members!

Our INCREDIBLY generous friends at Seattle Public Theater are offering up to 65 FREE scholarships to TeenTix Members this summer! <3

You'll be able to explore the world through dialects, sharpen your stage combat skills, or dive deeper into Broadway's smash hit Hamilton. See the full offerings and sign up below using this form--now, go forth and MAKE ART!

Hey, aspiring actors!

Our friends at Seattle Shakespeare Company wanted us to tell you that they're offering a ~special~ discount for their Audition Prep Camp from July 30 - August 3, from 1 - 4 PM, for students 9th grade and above. To register for this class, go here and simply use the code AUDITION30 for $30 off enrollment now through next Friday, June 15th!

Going into a performance or art display of any kind without given any sort of information about the performance beforehand is certainly a curious and exciting experience. Going in to see JACK &, this fact didn't change. I found the steadiness of the fish in the bowl theme to be quite intriguing, given the fact that, in hindsight, I believe it represented much more than what it originally seemed to.

The beginning set up of the show is a blue and turquoise mandala in the center of the stage; on its outskirts, a fishbowl and some cans of Crush soda sit on a stool. Green racks stand to the right side of the stage. On the left sits a computer and speakers on a table, and behind that is a circular tarp.

I’m skeptical about art exhibits, I enjoy them enough, but find trouble in writing reviews for them. The art of painting has never been a breathtaking experience for me, in creating or viewing, and so when visiting paintings I find that my perspectives can be more negative and unappealing than most. But with "Figuring History," I was surprised—it felt new and different. The exhibit features three different artists, who all portray black America and forgotten black figures.

George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975, Robert Colescott

“Figuring History,” - a powerful new exhibition at the Seattle Art Museum- insists on representation for the underrepresented. “Figuring History” features the cross-generational work of three artists—Robert Colescott, Kerry James Marshall, and Mickalene Thomas—whose paintings highlight the ways in which people of color have been traditionally left out of art and history. This exhibition changes the subject of the rich history of painting, and tells the stories of people of color from their own perspectives. This, combined with the exuberance of each artist’s work, makes this exhibition a must-see.

The exhibit begins with the paintings of Robert Colescott (1925-2009), who invokes a dream-like quality through warped figures that meld into each other in large mural-like paintings where you don’t quite know where to look. His work highlights people of color in history who many have never heard of, often juxtaposing these little known but important figures with less noble caricatures of black people. One of the first paintings in the exhibition, “Knowledge of the Past is the Key to the Future: Matthew Henson and the Quest for the North Pole,” depicts Matthew Henson, a black man who played a major role in the first team of explorers who reached the North Pole in 1906. This painting, and others in the series, highlight the lack of knowledge about the vital role people of color have played in history, and points out how detrimental that is to today's youth of color who don’t see themselves represented positively in history or popular culture.

Souvenir I, 1997, by Kerry James Marshall

This performance was very moving for me because the social issues that were brought up are happening in our world right now. I loved that throughout the piece the dancers got a chance to scream as loud as they could and let out all their anger from the injustices they experience everyday of their lives. I have not experienced the prejudice these people have, but I know how terribly they have been treated and how unfair it is that just because of the color of their skin they are treated differently.

Throughout the piece the dancers also shared stories of those who have died from not just police brutality but also from suicide. They also shed light on much less mentioned stories such as those of black trans men and women who have died that aren’t in the news as much. The whole show was supporting individuality and uniqueness which was so amazing to see. In today’s society we are taught that a certain body type or sexuality is ideal, but there isn’t an ideal person in my opinion. Everyone should appreciate and celebrate their differences, rather than putting down themselves and others because of them.